Movie Review : Shubh Mangal Saavdhan (2017)


Rating : 3.8/5
Genre : Drama
Year : 2017
Running time : 2 hours
Director : R. S. Prasanna
Cast : Ayushmann Khurana, Bhumi Pednekar, Seema Bhargava-Pahwa, Brijendra Kala
Kid rating: PG-15

It’s raining movies. It always has. But this time there’s a deluge of the small-town-storyline film which more often than not features the very same actors in similar sounding roles. It all started with “Dum Laga Ke Haisha”, which was a fantastic movie by the way. Then this year we’ve just gotten through “Toilet, Ek Prem Katha”, “Bareilly ki Barfi” and now there’s Shubh Mangal Saavdhan, which isn’t technically small-town. 2 of the three films have the same leading actors : Ayushmann Khurana and Bhumi Pednekar.

This time they’re Mudit and Sugandha of Gurgaon, about to get hitched via the arranged-cum-love route. Calamity strikes in an unexpected fashion :), but Sugandha will have none of it. Tempers flare, the groom wants to call off the wedding, but Sugu is steadfast. Will the matter come to a satisfactory conclusion (bad pun notwithstanding)?

Director Prasanna, who put together the Tamil original of this film, is also at the helm of “Shubh Mangal Saavdhan”. And while he does a fine job – gorgeous attention to detail, real thinking-feeling characters whom we can root for, and pleasant music – the real heroes are the actors. Khurana and Pednekar need no introduction – they can probably play middle-class young folk in love in their sleep by now. So too Seema Pahwa, who’s still fabulous, regardless. Her role as Sugu’s mother is an almost exact reprise of Kriti Sanon’s mother in “Bareilly ki Barfi”.

There’s this scene in the film where Sugandha’s concerned mom attempts to teach her not-so-virginal daughter about the birds and the bees. In true Indian maa-wala fashion, she names no names but does the explaining by analogy – the Ali Baba and 40 Thieves analogy – the whole scene had me in splits. There are other metaphors and analogies in this film (some involving tea and biscuits) but “Shubh Mangal Saavdhan” keeps it at that – there is no vulgarity; with the subject matter it could have easily gone in another direction.

I’d even say that “Shubh Mangal Saavdhan” is semi-feminist because it takes up for women where many films just bow down and succumb in the name of “traditional values”. The film questions the practice of assigning various “dosh” (faults) to the woman by default. Both the bride and groom have strong opinions and personalities; Sugu is no shrinking violet. Also her dad is pretty concerned about her happiness in the in-law home, even in the face of great family “dishonor”.

Shubh Mangal has heart. And it’s cute. I liked it – not a bad way to spend your time. Go see!

Posted in 2017, bollywood, drama, humor, quirky, rating-PG15, romance | Leave a comment

Movie Preview : Qarib Qarib Single (releases 10th November, 2017)

Who would’ve thunk it? Irrfan Khan as mainstream hero? In a romance?

Well, it has happened not once but twice. You have doubtlessly watched the lovely Piku in which he romances the lively architect portrayed by Deepika Padukone. In “Qarib Qarib Single” he plays a similarly quirky character. Starring opposite him is Malayalam-film actress Parvathy.

The film looks like fun. Fingers crossed.

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Movie Review : Lipstick Under My Burkha (2016)

Rating : 4.2/5
Genre : Drama
Year : 2016
Running time : 2 hours
Director : Ashwin Das
Cast : Ratna Pathak-Shah, Konkona Sen-Sharma, Aahana Kumra, Plabita Borthakur, Vikrant Massey, Sushant Singh, Shashank Arora
Kid rating: PG-15

Bollywood digs bromances. Films which feature women and pass the Bechdel test are few and far between in Hindi cinema. There was the much touted “Parched” which I didn’t like and “Angry Indian Goddesses” which was just poorly made (I finished it but oh, it was hard). And then there is “Lipstick Under My Burkha” which is both well made and intelligently told.

The film is about 4 women, remotely connected to each other because they live in the same locality. Each one faces gender inequality. Usha Buaji (Pathak Shah), who is the narrator of sorts, is the 55-year old widowed matriarch of a family in Bhopal. Shirin (Sen Sharma) is a young Muslim mother who, unbeknownst to her conservative husband Rahim (Singh), works as a top-performing saleswoman. Leela (Kumra) is a beautician who is engaged to be married into middle-class domesticity, but has her heart set on another man and a life of excitement. Rehana (Borthakur) is a young college-going student, slowly suffocating under the weight of the burkha and social mores forced upon her by orthodox family and friends.

Buaji is perceived as “old”, everyone deems it fit that she attend Satsang (prayer sessions) because at the ripe old age of 55, what must a woman do but vegetate 🙁 . Men of her age, by comparison, are shown shopping for new wives, preferably in the 35-40 year range! Similarly it is socially acceptable for Shirin’s husband to boss over her, rape her, hit her, traumatize her, and offer her no leeway to pursue her own desires. So also with Rehana and Leela. Their subjugation is built into the social fabric. Women who rebel and think differently are considered uppity for one, and have very little support and choices.

I loved this film because it told it like it is. Inspite of the constraints, the women find ways to let loose – Rehana ditches the burkha en route to college, Buaji reads Hindi Mills-and-Boons (do those even exist in Hindi?) and joins swimming classes, Shirin goes to work while her husband is in Saudi Arabia, and Leela plans to elope. But in all their plans – and here’s the heart-breaking rub – the women have to be stealthy and so very careful, watching over their shoulders, lest society at large suspect them of impropriety.

The male characters seemed to be reasonably well-fleshed out – they are negative characters of course, but face challenges of their own. Rahim loses his job, Arhad (Massey), Leela’s lover realizes that Leela only thinks of him as a way out of her dreary life. Still their plight pales in comparison to the desperate situations the women face.

This film is not bombastic. It is layered and told very carefully with great character development – the women are flawed too. It helps to have a fabulous star cast, and a skilled director. Kudos!

Kidwise: Some adult situations, including one of rape.

Posted in 2017, bollywood, drama, feminism, rating-PG15, recommended, social issues, women | Leave a comment

Movie Preview : Chef (releases Oct 6th, 2017)

This one is based upon the American original. That, I thought, was just about average. Hopefully this will be better.

Posted in 2017, bollywood, New Films, Previews | Leave a comment

What To Watch On Netflix Instant – Edition #30

Suburra (Italy, 2015)

This engrossing film stars Pierfrancesco Favino, among a huge star cast. Set around a plot involving Ostia, a real estate development of a Las Vegas style town, this stylish neo-noir thriller has local mafia bosses, corrupt politicians and trigger-happy crazies running around.

Director Stefano Sollima (who also directed the series Gomorrah) helms this intense, fast-paced, gritty and pretty violent film.

Loins of Punjab (India, 2007)

A quirky, satirical comedy from late director Manish Acharya, this movie is about a desi singing competition sponsored by meat company “Loins of Punjab” in New Jersey. It stars the lovely Shabana Azmi, Darshan Jariwalla, Loveleen Mishra, Ayesha Dharker and a host of other Indian American actors.

The characters and their backstories are pretty decently and snarkily sketched. Relies heavily on stereotypes, but enjoyably so.

Anaarkali of Aarah (India, 2017)

This Hindi film stars Swara Bhaskar as nautch girl Anaarkali. When Anaarkali doesn’t quite kowtow to the local politician or patriarchal social mores, she’s in trouble. She almost escapes the corrupt law, but decides to come back and even out the score.

Great acting, and nice attention to detail make this a film worth watching.

Leap Year (USA, 2010)

This cute romance stars Amy Adams as impetuous Anna Brady who decides to take matters in her own hands and propose to boyfriend Jeremy on Leap Day. Since Jeremy is in Dublin Anna must make her way to Ireland, a plan which doesn’t quite work.

En route Anna meets local, lazy-eyed Irishman Declan (Matthew Goode – who also plays Henry Talbot in Downton Abbey), and . . .

In Your Eyes (USA, 2014)

From write Joss Whedon and director Brin Hill comes this low-budget sci-fi-ish romance about two people who are connected telepathically. Rebecca Porter and Dylan Kershaw are thousands of miles apart, live very different lives, but are mysteriously “connected” to each other so much so that they can feel what the other is feeling.

I’m skeptical of films which go out on sci-fi limbs, but this film was unexpectedly good.

Posted in 2017, All Netflix, bollywood, book to film, hollywood, italian, Netflix Recommendations, quirky, recommended, romance, satire, sci-fi, thriller | Comments Off on What To Watch On Netflix Instant – Edition #30

Movie Preview : Secret Superstar (releases Oct 19th 2017)

Among the depressingly bombastic films upcoming in the later part of the year, comes this little gem – or what looks like it. Zaira Wasim (of Dangal fame) stars as a wannabe singer who sings undercover because of familial strictures. There’s also Amir Khan doing his best impression of . . . Akshay Kumar?

Posted in 2017, bollywood, family-friendly, New Films, Previews | 1 Comment

Movie Review : Anaarkali of Aarah (2017)

Rating : 3.5/5
Genre : Drama
Year : 2017
Running time : 2 hours 3 minutes
Director : Ashwin Das
Cast : Swara Bhaskara, Pankaj Tripathy, Sanjay Mishra, Ishtiyak Khan, Mayur More, Vijay Kumar
Kid rating: PG-15

Anaarkali (Bhaskar) is a poor orchestra singer-dancer in the small town of Aarah. When Dharmendra Chauhan (Misra), a local political bigwig, takes a shine to her, she must tolerate his attentions. Things however come to a head, when he, in an inebriated state, manhandles and assaults her on stage during a performance. Everyone thinks that this is par for the course for a nautch dancer such as she, but Anaarkali is outraged at Chauhan’s treatment of her. What can she do alone, against the well-connected Chauhan?

Anaarkali of Aarah has a feminist message, similar to that of Pink, although they are vastly different movies: No means No. Anaarkali sings bawdy songs, along with the requisite pelvic thrusts and suggestive dance movements. She lives independently, makes her own sexual choices, including a relationship with her married orchestra owner Rangeela (Tripathi). She is no wide-eyed ingénue, we are told, but, regardless of her lifestyle or her chosen profession, retains the right to consent.

This is a great message, and well-portrayed by director Das. It is an interesting set-up, and we, the viewers, are primed pretty well to be on Anaarkali’s side. Bhaskar, the wonderful actress that she is, has us eating out of her hands, despite her character’s flaws. While the story’s premise is believable, I was a little surprised at the lengths Anaarkali goes to thwart Chauhan’s plans for her; one would expect her to be attuned to patriarchal views which treat women as property – to be done with as they please. This is India (not that that matters – such views exist across the globe), and she obviously isn’t living under a rock. Also, in some scenes we see that her mother, who was also a nautch girl, is at the beck and call of similar men – a plight not hidden from the then teenager Anaarkali.

The ending seemed a clichéd – a fanciful, feel-good cop-out of an otherwise insoluble problem. Do Anaar’s troubles end after the denouement? Probably not. The system is corrupt, and for a single young woman of “questionable” character, justice might as well not exist.

This was still a pretty good film. It works the human moments – the dalliance between Anaar and Rangeela, the tenuous ties between Anaar and Anwar, and Anaar’s own helpless outrage. It offers up little quirks – a policeman named Bulbul. It emphasizes the hypocrisy – Chauhan’s “respectable” wife and daughter sitting with him watching a nautch girl crudely strut her stuff, in the name of entertainment, at a University event.

Props where they are due – to the fantastic cast. Bhaskar, whom we last saw in the lovely “Nil Battey Sannata”, is just as fabulous here; I watch films just because she is in them. I’m glad that she is getting lead, meaty roles worthy of her mettle. Tripathy as the street-smart Rangeela, Mishra as the lascivious Chauhan, Vijay Kumar as corrupt policeman Bulbul Pandey and Ishtiyak Khan as the golden-hearted admirer Hiraman round off this delectable star cast.

Kidwise: Anaarkali’s performances which we see a lot of in the first half, are filled with extremely suggestive dance moves, and crude, innuendo-laden language. While these are portrayed in a straight-forward matter-of-fact way, it might not be appropriate for younger viewers.

Posted in 2017, bollywood, drama, feminism, Hindi movies on Netflix, Netflix Recommendations, rating-PG15, recommended, social issues, WhaTWON, women | Comments Off on Movie Review : Anaarkali of Aarah (2017)

Movie Preview : Shubh Mangal Saavdhan (releases September 1st, 2017)

The Hindi remake of Tamil film “Kalyana Samayal Saadham” Shubh Mangal Saavdhan stars Ayushman Khurana and Bhumi Pednekar, both of whom are having a very good year.

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Movie Review : Bareilly ki Barfi (2017)

bareillyKiBarfiRating : 3.2/5
Genre : Romance
Year : 2017
Running time : 2 hours 3 minutes
Director : Ashwiny Iyer Tiwari
Cast : Ayushman Khurana, Kriti Sanon, Rajkummar Rao, Seema Pahwa, Pankaj Tripathi
Kid rating: PG

You’ll know that I’m a sucker for small-town, semi-arty films with substance :). In evidence I place the lovely Ankhon Dekhi, Dum Laga ke Haisha etc. Of course, given that this film was helmed by “Nil Battey Sannatta’s” director, and Seema Pahwa and Ayushman Khurana were in it, along with Pankaj Tripathy AND Rajkummar Rao, I’d expected another treat. Alas, it was not to be!

Bitti Mishra (Sanon) is your average drop-dead-gorgeous small-town girl suffocated by conservative mores. She hides her smoking habit, spurns the various arranged marriage suitors who come knocking on her door, and swallows her tears when her well-meaning mother (Pahwa) chides her on her “un-girly” behavior. When she reads Hindi novella “Bareilly ki Barfi” she spies a ray of hope in the liberal outlook of the Bareilly-resident author, a Pritam Vidrohi. Good friend Chirag Dubey (Khurana) is instrumental in putting her in touch with Vidrohi (Rao). Love is on the horizon.

Bareilly ki Barfi has all the ingredients to make a nice, entertaining film – a luminous, rebellious heroine, quirky suitors and idiosyncratic parents. However the poor plot and the awkward contrivances to the story sink this could-have-been-surefire-hit to just about ho-hum levels.

bareillyKiBarfiDialogFirst the good – and there is much of it. Seema Pahwa and Pankaj Tripathi are phenomenal. Rajkummar Rao is stellar. Khurana is very good. The film is grounded in realistic details, and offers us glimpses of an eccentric, small-town home (Bitti’s). Bitti’s mother is bent on getting her wayward daughter married, and her hospitality towards visitors in her home waxes and wanes in proportion to said visitor’s marriageability. Bitti’s friend Chirag runs a printing press (he has also published “Bareilly ki Barfi”) and is quite the (young) man about (small) town. Some of the dialogs are pretty hilarious, and use the hindi vernacular.

The bad: After a while, the plot lost logic and reason, and even given the brain-addling effects of love on the brain, I couldn’t fathom why the characters behaved the way they did. The end seemed too predictable, kind of a cop-out. Kriti Sanon is supposed to be playing a small-town girl who only half-understands the english films she attempts to watch, but her accent seemed way too urban. Similarly problems with Khurana’s character. Only Rajkummar Rao gets it right; he’s a real pleasure to watch. Also, the hero wasn’t a nice guy, and it’s a problem when you can’t root for the hero.

An average film, “Bareilly ki Barfi” is a one-time watch for the very keen.

Kidwise: Some language. Otherwise clean.

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Movie Preview : Simran (releases September 15th, 2017)

Simran is a film I’m looking forward to, because it is directed by Hansal Mehta (Aligarh, Shahid) and stars Kangana Ranaut, wo this year, hasn’t had much in the way of hits.

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