Movie Review : Zero (2018)

Rating : 2/5
Genre : Drama/Romance
Year : 2018
Running time : 2.5 hours
Director : Aanand L. Rai
Cast : Shahrukh Khan, Anushka Sharma, Katrina Kaif, Madhavan, Tigmanshu Dhulia, Mohammed Zeeshan Ayyub, Sheeba Chaddha
Kid rating : G

Now, as you all know – one must be very careful with and of Shahrukh Khan starrers, because he oozes Shahrukh-isms, which can result in a film being completely overshadowed with his persona. While Zero showed signs of this occurring I was swayed when I saw who the director was. None other than Aanand L. Rai, he of the too many As, and director of the very entertaining Tanu Weds Manu. So to the theater I went. But, alas, hai re meri kismat, this was not to be the film of my dreams!

Shahrukh is Bauua Singh, a bauna or dwarf, his height remaining at 4’6″. Bauua Singh, an unmarried man of 38, lives in Meerut with his rich parents (delightfully played by Sheeba Chaddha and Tigmanshu Dhulia). When he falls in love with scientist Aafia Yusufzai Bhinder (Sharma), and they proceed to the wedding mandap, all is going well until Bauua inexplicably runs away to participate in a dance competition. There he meets beautiful actress Babita Kumari (Kaif) and Aafia seems like a distant dream . . .

Zero started off well. Bauua Singh may be vertically challenged but he makes up for it in wit and charm. The first half of the film passed along very entertainingly watching Bauua’s antics. And this was mostly small-town drama – something director Rai excels at. Then came the unreal second half. The film’s plot-line took an unrealistic turn – as in, a complete break with reality. What was the script-writer smoking? Bauua Singh went from Meerut to America (that’s fine), to becoming the lone astronaut on a mission to Mars (what!). I can only describe it as absurd. Stupid. A steep flight of fancy I didn’t want to be on.

For all the soulful sighing and the angsty looks the actors gave each other, I could tell the director meant Zero to be some kinda big love story. It didn’t go there, not by far. If Aafia and Bauua were meant to go down the janam-janam-ka-saath route, they were sorely mismatched. While she was brimming with good-soulmate qualities, I failed to see the equivalent in Bauua, charm and wit aside. Bauua was a flighty loser, so why would any girl, or for that matter any audience be vested in seeing his life come to a satisfactory conclusion?

The actors did well. Sheeba Chaddha is a hoot, and Tigmanshu Dhulia is as a good an actor as he is a director (Haasil, Saheb Biwi or Gangster). Zeeshan Ayyub is fabulous here as Bauua’s steadfast friend Guddu, even though the character is sketchily defined. Shahrukh was Shahrukh, as in, he twitched his eyebrows. The gaana-bajaana was alright – nothing to right home to mummyji about. The visual effects – SRK as a dwarf were well done, although sometimes oddly, he seemed less like a dwarf and more a child sized miniature of himself.

Kidwise: Clean.

Posted in 2018, bollywood, directors, drama, humor, rating-G, romance | 2 Comments

Movie Preview : Simmba (releases 28th December 2018)

Simmba is Singham for Ranveer Singh fans. Or that’s what it seems like from the trailer. Should be fun though! Am looking forward to this full-on masala movie. Because, what else can it be with both Ranveer Singh and Rohit Shetty?

Posted in 2018, action, bollywood, crime, drama, masala, New Films, Previews | Comments Off on Movie Preview : Simmba (releases 28th December 2018)

Aankh Marey : Redux

Simmba, the upcoming Ranveer Singh, Sara Ali Khan starrer redoes the original “Ankh Maaren” from the 1996 “Tere Mere Sapne”. What’s common in here besides the extras and the stylized steps? Arshad Warsi (Sehar, Lage Raho Munnabhai)!

The new Ankh Maare is a lot of fun – watching Ranveer Singh always is, and Sara Ali Khan is no wilting wallflower either.

Warsi played the lead in “Tere Mere Sapne” along with Simran.

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Movie Preview : Kedarnath (releases 7th December 2018)

Watching these two – Sara Ali Khan and Sushant Singh Rajput – on Big Boss, I thought the pair looked cute. I hope the movie is as cute!

I am curious to see whether this daughter of Amrita Singh and Saif Ali Khan has what it takes – she certainly seems peppy and pretty enough. Also, Abhishek Kapoor (Kai Po Che, Rock On) is the director, so I have high hopes for Kedarnath.

Posted in 2018, bollywood, directors, drama, New Films, Previews, romance | Comments Off on Movie Preview : Kedarnath (releases 7th December 2018)

Movie Review : Mitron (2018)

Rating : 2.5/5
Genre : Drama/Romance
Year : 2018
Running time : 2 hours
Director : Nitin Kakkar
Cast : Kritika Kamra, Jackky Bhagnani, Prateek Babbar, Suneel Sinha, Neeraj Sood
Kid rating : G

Mitron released the same time as Manmarziyan. It withered under the competition’s fierce genius, and soon made its way onto Amazon Prime, where the husband watched it and deemed it not too bad. Hence I watched it; normally it would never occur to me to watch a Jacky Bhagnani movie.

My prejudice is not without reason. To be a hero, one must possess either :

  • a)Looks
  • b)Acting skills
  • c)Attitude/swagger/personality.

Siddharth Malhotra (Kapoor & Sons) is a prime example of a).
Salman Khan (Dabangg) is the poster boy for c), while Rajkummar Rao (Shahid) succeeds because of b).

Bhagnani lacks all three, so his films are generally non-starters. I did watch “Youngistaan” where he played a young politician, and that role – the one of a mature, restrained man suited him way more than the role of a lazy loser that he plays in this film.

In Mitron, Jai is a carefree young man. He has an engineering degree, but not much motivation or career prospects. His parents therefore think he’s ready for matrimony (??), and he meets Avni. Avni has a mind of her own, so she declines to look upon Jai as suitable husband material. However their association doesn’t end there (much to our detriment).

This film fails because of many reasons, but here’s the chief one. Filmmakers must give the ladies (or everyone!) something to look forward to in a film. It seriously annoys me that while the heroines for the most part, are lovely and lissome, embody surreal yet fantastic character traits, and can act, producers think they can palm off just about anybody as a hero. Also the thinking that a lazy, out-of-shape lout with no redeeming characteristics is a “good” match for a lovely, intelligent young lady leaves me breathless with indignation.

Anyway, the point that I was coming to was this movie is not all bad – the heroine, Kritika Kamra is a find. The supporting cast is very good. The songs are pretty decent. The film also has some rather interesting segue ways, like when Jai and Avni recount their past love lives in a very reasonable manner – none of the hypocritical hai-tauba of double-standard-studded-desi-morality.

I can’t help but think that while I was philosophically repulsed by Mitron and that the predictability tanked the film, any other charismatic hero (like Abhay Deol, Ranbir Kapoor etc.) might have at least made it watchable. As is though, I can’t recommend it.

Kidwise: Clean.

Posted in 2018, Amazon Prime, bollywood, directors, drama, family-friendly, Hindi movies on Amazon Prime, rating-G, romance | Comments Off on Movie Review : Mitron (2018)

Movie Preview : Zero (release December 21st, 2018)

From Aanand L. Rai, who gave us lovely films like “Nil Battey Sannatta” and “Tanu Weds Manu”, come Zero. Shahrukh plays Baua, a dwarf, trying to find the one. Katrina Kaif and Anushka Sharma costar.

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Movie Review : Dhadak (2018)

Rating : 3.2/5
Genre : Drama
Year : 2018
Running time : 2 hours 30 minutes
Director : Shashank Khaitan
Cast : Ishaan Khatter, Jahnavi Kapoor, Ashutosh Rana
Kid rating : PG-15

I loved Sairat, as you know. For a while, everywhere I went I would get up on my soapbox and exhort everyone I met to watch this masterpiece. Then came Dhadak, Karan Johar’s remake of Sairat. It was expected that he would inject sheen and glamor into this earthy, rural tale, and after watching it, despite my initial prejudice, I have to say it wasn’t too bad at all.

In Dhadak, Parthavi (Kapoor), high caste “princess” of Udaipur falls in love with low-caste Madhukar (Khatter). Her orthodox politician father (Rana) promises swift and fatal retribution and causes the lovesick pair to run away to Kolkata. Of course, both miss their families, but Parthavi’s dad is still baying for their blood . . .

Director Khaitan moves the original tale out of a village to a city, and modernizes it a bit. It works in part, but there are still some awkward contrivances for the public pool/bathing scene – I cannot imagine a city-bred girl going on a public bathing outing with her friends. The leads are better looking, there is more color, sheen and fanfare to this production as compared to the original Sairat. While this might make it more “watchable” for some, from my point-of-view there is a flip side to this injection of glamor – and it is this: muting or softening of the original tale takes away the impact. Casteism is a harsh and narrow truth, and must be portrayed as such.

So my problem with this film is more philosophical, as in I’m not sure this was a good pick for the Dharma Productions stable. From them I look forward to seeing glitzy, slick tales which for all their trials and tribulations end satisfyingly, if not happily. There is no way to tell Sairat’s story in that fashion, no matter the amount of color and pomp you inject into it. And if we are talking story, I will say that Dhadak’s ending, which is different to that of Sairat, is weak.

Now, I liked both of the leads – they were well-cast and looked good together. Dhadak is Jahnavi’s debut, and she does bring to screen the pouty innocence of a girl born to wealth. She is not quite the actress her mother was, but shows promise. Ishaan was really good here. His natural persona oozes vulnerability so this role suited him to a T. Dhadak borrows two of its songs directly from Sairat; the lovely “Yad Lagla” becomes “Pehli Baar” even being sung by the same singer Ajay Gogavle, and Zingaat remains its own catchy self, only in Hindi.

On the whole, Dhadak is a passable watch, if wishy-washy. If you’re looking for realism, watch Sairat instead.

Kidwise: Some scenes of violence, one pretty grotesque. Ghastly violence is implied.

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Movie Preview : Thugs of Hindostan (releases November 8th, 2018)

This reminds me of Pirates of the Caribbean, and Aamir here reminds me of Johnny Depp, what with the kohl-laden eyes and all. It seems a bit much and I’m afraid that after all this hype, Thugs of Hindostan might never come through on its promise. I hope that it does well, and we get a nice, well-done blockbuster – we haven’t had one in such a long time!

Posted in 2018, action, bollywood, drama, historical, New Films, Previews | Comments Off on Movie Preview : Thugs of Hindostan (releases November 8th, 2018)

Movie Review : Badhaai Ho (2018)


Rating : 3.7/5 (Good)
Genre : Drama
Year : 2018
Running time : 2 hours 5 minutes
Director : Amit Ravindernath Sharma
Cast : Ayushman Khurana, Neena Gupta, Surekha Sikri, Sanya Malhotra, Gajraj Rao, Sheeba Chaddha
Kid rating : PG-13

The premise of Badhaai Ho is inherently funny and awkward. In middle-class India, where parents of adult children are automatically relegated to elderly, asexual, ascetic-like, satsang-going status, how does even begin to comprehend the fact that mom and dad are in fact, still doing it? Our twenty-something hero Nakul (Khurana) must digest this fact, whether he likes it or not, because his mom Priyamvada (Gupta) is pregnant. Nakul is dating work colleague Renee (Malhotra), and his romantic dreams are thrown into disarray when he finds out that the parental unit are expecting another child. The news stuns the household, makes the Kaushiks the butt of jokes in their social and familial circles, and causes Nakul major embarrassment.

Director Sharma milks this awkward social situation for all its worth. While Priyamvada is firm that she’s keeping the child, she is also embarrassed by her growing belly. Neighbors yell out congratulations, and smirk behind their backs. Family members preach sanskaar and look askance at Priyam. Nakul’s friends howl with laughter at his predicament. Priyam’s mother-in-law blames her for the mishap. Her son also is not beyond reproach. Says she is a delicious sequence to her squirming son, “When did you get the time? You never have time for your elderly mother.”

If you’ve watched the trailer, you might expect a full-on comedy. And while Badhaai Ho starts off with humor, it morphs into a mature drama, with major emotional baggage. It is sweet and tender in patches, especially when showing the relationship between Nakul’s parents. The basic message of familial love and support is well conveyed, and it did get me teary-eyed. However while it does a good job of questioning the hypocrisy of it all, it also gets a tad bit preachy and OTT – Priyamvada’s’s godbharai celebration was a bit much. I also kept waiting for the common sense disclaimer proclaiming the genuine health risks of a later-age pregnancy, but it never came.

Badhaai Ho is an interesting film with a great cast. Ayushmann as Nakul rehashes the role he’s played in so many other movies – the middle-class, Delhi guy – and he’s good at it. Sanya Malhotra, whom we just saw in Pataakha, is quite lovely here as level-headed, liberal Renee. Sheeba Chaddha as Renee’s well-heeled, moneyed mom is spot-on. Surekha Sikri as Priyam’s mom-in-law is fantastic, but that’s a given with her. The real star of the film though, is Neena Gupta as the firm-willed Priyamvada, who weathers the brunt of social finger-pointing like so much bad weather.

If there’s one fault with the film, its over-milking audience sympathy. I know the desi junta loves the “family above everything” theme, but let’s not trade common sense for emotion. Still, Badhaai Ho was a fun watch, and treated a touchy topic with maturity.

Kidwise: Clean, really. The content of the film might be incomprehensible and a little unsuitable for the younger ones.

Posted in 2018, bollywood, comedy, drama, humor, rating-PG13, recommended, social issues | Comments Off on Movie Review : Badhaai Ho (2018)

Movie Review : Andhadhun

Rating : 4/5 (Good)
Genre : Thriller
Year : 2018
Running time : 2 hours 30 minutes
Director : Sriram Raghavan
Cast : Tabu, Ayushman Khurana, Radhika Apte, Zakir Hussain, Anil Dhawan, Ashwini Khalsekar
Kid rating : PG

Expectations were high for Andhadhun because it came from Sriram Raghavan, who’d given us the impeccable Johnny Gaddar. Fortunately, unlike the recent Pataakha, this one keeps up its end of the bargain; it’s a treat to watch this well-done thriller.

Andhadhun is based on French short L’Accorder (The Piano Tuner) and has a fabulous plot. Blind pianist Akash (Khurana) meets lovely hotel proprietress Sofie (Apte). Through Sofie he meets film veteran Pramod Sinha and his beautiful wife Simi (Tabu). When Sinha is murdered, Akash is willy-nilly sucked into the aftermath and becomes witness to certain unfortunate events.

The film starts off with us following around our golden boy, good-humored Akash as he runs around doing errands, with the aid of his walking stick. The film quickly switches tracks as Akash is embroiled in Sinha’s murder, and this surreal upheaval comes on so suddenly, that it takes you completely by surprise. From then on, the tension grows, twists come at a fast clip and the bodies pile up. No one is above suspicion. Everyone has ulterior motives and secrets to hide, even protagonist Akash.

Andhadhun has a capable cast. Ayushman’s character Akash is a mixed bag – he is cheerful and friendly, but we can tell that there is more to him than the suave facade he presents to the world. Khurana brings Akash to life with his deadpan mannerisms. Then there is veteran Tabu who shines as Simi Sinha, flipping from lovely, sweet-talking femme-fatale to testy, tantrum-throwing customer in the blink of an eye. Dependable Zakir Hussain plays a greedy doctor with aplomb even in a short role. Radhika Apte felt wasted in her brief screen time, with her character not really lending heft to the story.

I’ve got to hand it to Badlapur director Raghavan – he knows how to keep them coming. Andhadhun has the tautness of a thriller, interspersed with quirky, zany, dark humor. It was hard to tell where the film was going or how it would end. The film chooses as its locale, Pune, a city where one imagines low-key, casual piano-bars abound and veteran film personalities hobnob with the local erudite junta. Another nice touch is Raghavan’s nod to Chitrahar, Chaya Geet, Doordarshan and 80s films – a homage to the pre-24×7 programming days.

Andhadhun was such a refreshing change – an engrossing entertainer and a well-done thriller! Totally worth the money and time! Do go see!

Kidwise: Bodies, blood and gore abound in this film.

Posted in 2018, bollywood, dark, directors, drama, quirky, rating-PG15, recommended, suspense, thriller | Comments Off on Movie Review : Andhadhun