Documentary: The World Before Her by Nisha Pahuja

Just last week saw this very interesting documentary on Indian women and the dichotomy of culture in society, on PBS’s POV series:

From the blurb:

The World Before Her is a tale of two Indias. In one, Ruhi Singh is a small-town girl competing in Bombay to win the Miss India pageant–a ticket to stardom in a country wild about beauty contests. In the other India, Prachi Trivedi is the young, militant leader of a fundamentalist Hindu camp for girls, where she preaches violent resistance to Western culture, Christianity and Islam. Moving between these divergent realities, the film creates a lively, provocative portrait of the world’s largest democracy at a critical transitional moment–and of two women who hope to shape its future. Winner, World Documentary Competition Award, 2012 Tribeca Film Festival. A co-presentation with the Center for Asian American Media (CAAM).

The entire film can be watched currently on PBS online here.

Posted in 2013, documentary, film festival, movies online, outstanding, recommended, social issues, women | 1 Comment

Movie Preview : Phata Poster Nikhla Hero (2013)

We haven’t seen him in a while. Shahid Kapoor returns in comedic caper “Phata Poster Nikla Hero” on September 20th, with Ileana D’Cruz (of Barfi fame), Saurabh Shukla and Darshan Jariwalla. Kapoor is one of the more like-able heroes of the Hindi film industry so I hope this film will be entertaining even if it’s not stellar.

This madcap movie is directed by Rajkumar Santoshi who’s also directed films like Andaz Apna Apna, Pukaar and Lajja, and that gives me hope that this one won’t be a total wash-out. Here’s to credible masala movies (with poetic lyrics like “tere doggie ko mujhpe bhowkne ka nahi”) with a song from this upcoming film:

Posted in 2013, bollywood, comedy, goofy, Previews | Comments Off on Movie Preview : Phata Poster Nikhla Hero (2013)

Movie Review : Fukrey

Rating : 1/5
Genre : Comedy
Year : 2013
Running time : 2 hours 19 minutes
Director : Mrigdeep Singh Lamba
Cast : Pulkit Samrat, Priya Anand, Richa Sharma, Manjot Singh, Ali Fazal, Varun Sharma, Pankaj Tripathi
Kid rating : PG-13

What is it with Bollywood and stupid men? You think their tribe lessens but it does not. Hindi films feature them, laud them as heroes even. Fukrey is a prime example of such tripe; I’m surprised that Farhan Akhtar is producer on this atrocious film.

Honey (Pulkit Samrat) and his friend Choocha (Varun Sharma) are two school-going back-benchers set to fail their 12th class boards for the 3rd time. This presents a problem because the two want to progress to college, for those hallowed grounds will enable them to wallow in the company of beautiful girls, bunk classes and goof off. Lali (Manjot Singh), the son of a halwai, dreams of getting admission into a “cool” college and progressing from the down-market correspondence course he is currently doing. Zafar (Fazal) is a floppy-haired wanna-be musician who roams the campus grounds strumming his guitar and composing ditties.

The four need money. They end up together borrowing money from nefarious con-woman Bholi Punjaban (Richa Sharma) to put in a hare-brained lottery-winning scheme. It will not end well.

I’m all for low-budget charmers about local life, provided they have a semblance of realism. Fukrey is based on a premise so shaky and devoid of common-sense that it is hard to root for. The film really didn’t go anywhere, and played out like a boring tv serial – I actually dozed off. Plus the characters in this film are an unlikeable lot.

Character flaws are common, interesting even, but stupidity is hard on the palate. These four heroes are brain-dead, imbeciles of prime grade. Honey is street-smart and full of swagger, but sexist. Choocha is garrulous and idiotic. Lalli is irresponsible. He also thinks that if a female is being merely helpful/friendly, she’d like to have an affair with him. Zafar is a depressed-looking mope. The best qualities of each wouldn’t make one average man, i.e.; zero redeeming qualities.

Each of these four is cast in the Dilli-wallah cliché. Indeed, if young men of Delhi were of the same low caliber, then that might explain the state of the city/nation. What is annoying though is that we deem this sorry tale of four good-for-nothing lads “comedy”. Slapstick might be comedy; aimless stupidity is not.

There are three female characters in this film. There is Priya (Priya Anand of English Vinglish fame), a beautiful, sprightly, middle-class girl who looks like she might have a backbone and some self-esteem, but apparently doesn’t – she likes Honey, and forgives his stupidity and his irresponsible behavior very quickly. There is Neetu, Zafar’s smart level-headed teacher girlfriend who sees something in the impractical loser that is not visible to the movie-viewers. And there is the Bholi Punjaban (Richa Sharma) a much feared criminal, who inspite of her fearsome notoriety, decides to go very easy of the offending foursome, when some creative punishment was called for – it might have made the film more interesting.

Fukrey has some good things though – it has great atmosphere and attention to detail – the kinds we saw in “Vicky Donor” or “Tanu Weds Manu”. It also has one lovely song “Ambarsariya” – the rest are passable. The cast actually does well with their sorry characters. Pankaj Tripathi is superb as the oily “jugaadu” Panditji.

This film is well-titled; “Fukrey” roughly translates to good-for-nothing loser. When we moan and groan about the state of women in India, we must find a mirror in films like Fukrey. This portrays our laxity towards falling standards – we like our men sexist and stupid and shiftless, ready to laud and forgive transgressions because “boys-will-be-boys”, and laugh it off as “comedy”. Is it any wonder that men deliver on the poor expectations set by society?

Fukrey gets a 1 star rating not because this is a terrible film – it isn’t all that bad really; but it given some common sense it could have been so much better.

Kidwise : Fairly tepid for the average 13+ year old.

Posted in 2013, bollywood, comedy, cringe-worthy, ecstatically stupid, rating-PG, stinker | 12 Comments

Movie Review : Shuddh Desi Romance (2013)

Rating : 3.5/5
Genre : Romance
Year : 2013
Running time : 2 hours 6 minutes
Director : Maneesh Sharma
Cast : Parineeti Chopra, Sushant Singh Rajput, Vaani Kapoor, Rishi Kapoor, Rajesh Sharma
Kid rating : PG-15

The trailer promised a new age romance in an old historical town. “Shuddh Desi Romance” does live up to this promise, although in a less sparkly fashion than I had imagined.

Raghuram Sitaram (Rajput) is a tour guide who also works as a baraati-on-hire at Goyal’s wedding caterers. At his own wedding, Raghu develops cold feet and discusses his quandary with baraati-on-hire Gayatri (Parineeti). All that ends with Raghu running away from the wedding mandap leaving his to-be bride Tara (Vaani Kapoor) in the lurch. Sometime later when Raghu and Gayatri meet, they find that the fleeting attraction they experienced at Raghu’s wedding has burgeoned into a “zoron ka attraction”. They start a live-in relationship with no expectations of marriage. At a rocky point in this relationship Raghu meets Tara again. She is confident, saucy and lovelier than before . . .

This film questions the social practice of marriage – the why and the what. As Raghu tells us in his narrative, everyone wants you to ”settle down” – all else will come later. Raghu himself is not sure he wants to get married. Independent girls like Gayatri don’t fit neatly into this equation either, so when Raghu moves into her barsaati, he tells all the nosy neighbors that he is her “brother”.

“Shuddh Desi Romance” nicely captures the atmosphere of a culturally rich, historic town with authentic sounding characters and dialog. Raghu is a lost young man and can’t tame his wandering heart – something we culturally allow (and romanticize), whereas the girls must remain “untainted” and when they refuse to toe the line, like Gayatri does, they get a “reputation”.

While Raghu almost perpetually has the look of a deer-in-the-headlights both Gayatri and Tara appear confident in their needs and wants. I had a hard time believing that someone as beautiful and confident as Tara would readily agree to be wedded to a “tour guide” in classist India. The Raghu-Gayatri romance was more believable although I wasn’t over-joyed at the pairing. Love being blind would have to explain that attraction, or why would smart girls like Gayatri settle for intellectually inferior and immature boy-men like Raghu?

The cast does well; I was more impressed by the two girls Parineeti and Vaani that by Rajput. Parineeti is a wonderful actress, and Vaani makes a supremely confident debut as Tara. I felt for both Gayatri and Tara, struggling against their society-assigned “good girl” roles. Rajput is not a looker, but did well-enough in Kai Po Che. Here, he is stuck with the bemused I’m-out-of-my-depth look, which looks cute only the first couple of seconds. Rishi Kapoor is a little hammy as portly caterer and father-figure of sorts Goyal, and I though he was miscast. Rajesh Sharma has a small role as Tara’s mamaji, and excels in his short screen time.

The film has a novel plot, but is a little slow and uni-dimensional. There’s only so much I can take of lovey-dovey scenes – there’s more to a relationship than nuzzling in bed, and the script doesn’t take the opportunity to develop the characters beyond the bounds of the love-story as fully as it could have. I was a bit bored of the slow pace; the film has a running time of 2 hours, but they could have shorn off a good half-hour. What I did like in the film was the way the characters “talked” to the audience in little asides, relating to us their point of view – very nicely done. The music is very good – the title song, “Gulabi” and “Tere Mere Beech Mein” are some of the loveliest songs I’ve heard this year.

This is a good film, but I had expected so much more from director Maneesh Sharma and talented script-writer Jaideep Sahni; Sahni has written wonderful films like Rocket Singh and “Khosla ka Ghosla”.

Kidwise : Lots of kisses/love making/adult situations. Film might be allright for older kids (15+).

Posted in 2013, bollywood, rating-PG15, romance, social issues | 4 Comments

Movie Preview : Shuddh Desi Romance

Am looking forward to this one. Releases this Friday, the 6th of September, features Sushant Singh Rajput of Kai Po Che fame, Parineeti Chopra of Ishqzaade,  and is directed by Maneesh Sharma – he also directed Ladies vs Ricky Bahl :

Posted in 2013, bollywood, Previews, romance | 1 Comment

Movie Review : Madras Cafe (2013)

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Rating : 3.5/5
Genre : Thriller
Year : 2013
Running time : 2 hours 10 minutes
Director : Shoojit Sircar
Cast : John Abraham, Nargis Fakhri, Siddharta Basu, Rashi Khanna, Ajay Ratnam, Prakash Belawadi
Kid rating : PG-13

Madras Café is not a movie I would have expected John Abraham to produce, much less act in. Yes, he did produce Vicky Donor (by the same director), but Madras Café is worlds removed from Vicky Donor. It is a slow moving, serious movie, almost documentary like, on the Rajiv Gandhi assassination and the Sri Lankan ethnic conflict. Shoojit Sircar experiments with this genre again (after Yahaan) and does good, not quite as well as with Vicky Donor, but well enough.

Major Vikram Singh (Abraham), an espionage/intelligence expert is deployed in Sri Lanka with the Indian Peace Keeping Force to make sure that elections take place smoothly and the Indian Prime Minister can save face. After a few mishaps Vikram realizes that there is a mole in his organization, and he can trust no one, not even his immediate superior Bala (Prakash Belawadi). He promises the folks in Delhi that he will solve this problem his own way, and gleans useful information. His efforts though, may be much too late.

The film feels like a procedural. There is action and it is eventful but the narrative does not flow very well. John is much improved in his acting, but he is far from stellar. He does appear to be less of a hulking bear, having slimmed down and toned the bulging muscles. Nargis Fakhri is international correspondent Jaya Sahni and does what she can with the ill-defined character. We don’t know exactly for who she works or what she does; she is just there to give enigmatic answers to Vikram’s pointed questions. Her character speaks only in English. So John speaks to her in Hindi and she replies back in English, which reminds me of my kids; speak to them in Hindi and they reply back in English.

Former quizmaster Sidhharata Basu has a major role as senior RAW officer Robin Dutt – Robin is the one who pulls Vikram into the operation. Basu, minus his hair, and much aged since you last saw him on television, does very well in this role and manages to sound authoritative and strong. Rashi Khanna plays Vikram’s wife, who waits for him in India, and portrays the worry of an army wife very well, although she seemed very young for the role of Abraham’s wife.

The film is narrated to us via a flashback. At the beginning of the film Vikram is morose and sunk into drunken stupor. He recounts his tale to a church priest, when the priest enquires about his sad state. Vikram seems much anguished at losing his Prime Minister (who appears to Rajiv Gandhi although he isn’t named in the film) which baffled me a little; if he had been anguished at the failure of the mission, it would have been understandable. Vikram’s character is not seen hero-worshipping the PM either so his anguish at his loss seemed a little odd – I’m chalking this one up to poor character development.

The title of the film comes from the cafe that the Sri Lankan leaders and their international helpers meet at; very vague! Madras Cafe is a decent film; it is not spectacular, nor is it the “gripping” espionage thriller I see it being touted as. It is a little choppy, some things in the film lack logic and development, but overall it is worth watching.

Kidwise : Scenes of violence, death and destruction may not be suitable for kids. Older kids will probably understand the dialog heavy narrative; the younger ones might be bored.

Posted in 2013, action, bollywood, rating-PG13, thriller | 5 Comments

Watching Hindi Movies Online – II (Hindi Movies on Youtube)

Hindi movies on Youtube

This is Part 2 of the “Where to watch Hindi movies” post. Here’s Part 1.

This might be common knowledge already, but it is worth repeating. Youtube has quite a collection of films and some of them are Hindi films from the production houses themselves. (There are individual users too who upload movies in parts, but I’m not talking of those here.) There is Rajshri, YRF Films, TSeries and Shemaroo and a bunch of other movie channels like UltraMovieParlor. Your best bet, if you are trying to locate a particular film, is to go to their pages and search. A lot of the films are classic, and older, but many are free. And yes, these aren’t exactly HD, but the quality is fairly reasonable.

– Saaransh
– Manorama Six Feet Under
– Angoor

  • Rajshri Channel on Youtube : Look at their featured playlists, which list films by lead star. Films are mostly classics from 70s and 80s. Films are free :

– Iqbal
– Hum Aapke Hain Kaun
– Refugee

New movies :
– The Dirty Picture
– Dil to bachccha hai jee
– Mera Pehla Pehla Pyaar

Classics :
– Satte pe Satta
– Aandhi
– Sadma

New movies :
– Jab Tak Hai Jaan
– Chak De!
– Ishaqzaade

Classics :
– Dilwale Dulhaniya Le Jayenge
– Silsila
– Dil to pagal hai

– Sankat City
– Just Married

– Patiala House
– Ready
– Bittoo Boss

Posted in 2013, bollywood, how-what-why, lists, movies online | 1 Comment

Movie Review : Chennai Express (2013)

Rating : 3/5
Genre : All-in-one
Year : 2013
Running time : 2 hours 21 minutes
Director : Rohit Shetty
Cast : Shahrukh Khan, Deepika Padukone, Satyaraj, Niketan Dheer, Kamini Kaushal, Lekh Tandon
Kid rating : PG

From its trailer Chennai Express appeared to be a masala entertainer. Which it was. The kind of film where you check in your brains at the front door, and expect to be doused in slapstick-y, spoofy humor and a story which doesn’t make much sense. So I went in with fairly low expectations and got exactly what I’d bargained for.

Rahul (Shahrukh) is a 40 year old, an orphan raised by his grandparents. Dadaji (Tandon) has passed away and Dadiji (an aged Kamini Kaushal) wants Rahul to immerse his ashes at Rameshwaram. Rahul has a Goan vacation planned with friends but tells Dadiji that he is heading off to Rameshwaram to do her bidding. When Dadiji comes to bid him goodbye he climbs onto a South-bound train, planning to get off at the next station to join his friends. But he meets Meena (Deepika) on the train. Meena is running away from an arranged marriage. Long story short, Rahul gets caught up in her misadventures.

This film is very, very over the top and very, very spoofy, drowning in references to DDLJ, My Name is Khan and other SRK ventures. You realize that it is a parody, because one over-wrought farcical scene cuts to another affected caricature of a scene. It’s as if the film-makers are laughing at themselves, at us, at Bollywood, but they are laughing all the way to the bank.

There is very little story – Rahul meets Meenamma. They run away, detouring to fall in love. You know what’s coming next. The characters are giant cardboard cutouts, and remain in the spoofy zone. SRK’s Rahul is hamming it up in outlandish situations, and Meena is the spirited Southern siren who isn’t resigned to her fate. The film has its moments but gets kinda boring in the middle, and mired in melodrama and longish Shetty-esque fight/stunt scenes towards the end.

Chennai Express has gaping plot-holes the size of Asia, but I have tolerated this film better than I have trash like Welcome and Golmaal. And that’s because, firstly this is a pretty clean film, as films go these days. There is no overt vulgarity, no sly innuendoes. Yes, there is one incredibly stupid scene with SRK and a dwarf, there is the sexism, and there is the lone item number disguised as a village celebration, but it’s not too bad overall. Secondly, there is the character of Meena, a girl with plenty of guts. She is funny and resourceful and gives as good as she gets. Compare this with, say the character of silly, petulant Kavya Bhosle in Singham, and you have a winner in Meena.

Deepika gives a tremendous performance as Tamilian Meena. She acts and dances like a dream, keeps up the hilarious Southie accent throughout the film, and has the comic thing down pat. Shahrukh is a disappointment here. As he ages, he has started to resemble his wax statue at Madame Tussauds; the glassy stare, the waxy face, the terrible acting. He does his eyebrow wiggle thing and is super-hammy in his portrayal of Rahul.

Chennai Express is 100% masala; I only saw it because I like the lead pair. If this film had had even a semblance of a sensible story, it would have been so much better. Rohit Shetty seems to know what he is doing, because he makes the movie he intends to; Chennai Express doesn’t pretend to be anything other than a commercial potboiler. The problem is that with his unsubtle, sledge-hammer approach to movie-making, Shetty’s best product can only ever reach mediocrity.

Here is a song from Chennai Express. Do watch it carefully; it is a reflection of what the film is like :

Posted in 2013, all-in-one, bollywood, masala, rating-PG | 1 Comment

Watching Hindi Movies Online – I

spuulMaybe Hindi movies don’t play at a theater nearby or you are looking to watch an old classic which no video rental place seems to have. You could then try to stream/download over the internet. Here are some of the many places you can watch Hindi films over the Net (there is a reason they call it the Wonderful World Wide Web) – some offer free films, some have premium (i.e.; paid) content and some have both. I’ll list out three of each (they have many more!) :

– Astitva
– Ghajini
– 99

Free Hindi movies on Spuul:
– Love Aaj Kal
– Kahaani
– Love, Sex aur Dhoka

Premium:
– Jab We Met
– Aiyyaa
– OMG

– Kai Po Che
– Luv Shuv Tey Chicken Khurana
– Barfi

Older Films :
– Dil Chahta Hai
– Lakshya
– Monsoon Wedding

– Pyaar ka Punchnama
– Kites
– Break ke Baad

  • Eros : Premium subscription required.

– RockStar
– Ra One
– Dabangg

Next : Watching Hindi movies on Youtube.

Posted in 2013, bollywood, how-what-why, lists, movies online | 4 Comments

Movie Preview : Once Upon a Time in Mumbaai Again (2013 – Akshay Kumar, Sonakshi Sinha)

In 2010 came “Once Upon a Time in Mumbaai” and it was a pretty good film. In 2013 it comes again, or rather a sequel comes again; hence the expressive title, I assume :-). Akshay Kumar, Imraan Khan and Sonakshi Sinha star, Sonakshi suddenly in a spurt of roles which actually require acting (her most recent one being Lootera).

This comes to a theatre near you (hopefully) on the 15th of August.

Posted in 2013, bollywood, crime, Previews, sequel | Comments Off on Movie Preview : Once Upon a Time in Mumbaai Again (2013 – Akshay Kumar, Sonakshi Sinha)