Series Review : Masoom (2022)

Rating : ⭐️
Genre :
Drama
Year :
2022
Season:
1 Episodes: 7
Director :
Mihir Desai
Cast :
Boman Irani, Samara Tijori, Manjari Fadnis, Upasana, Manu Rishi Chaddha
Kid rating :
PG-15

Masoom is a series on HotStar (available via Hulu in the US) and stars Boman Irani and Samara Tijori (Deepak Tijori’s daughter) . The series is about a family living in Falauli, a small town in Punjab. Doctor Balraj Kapoor (Irani) runs a nursing home and is also trying to get into politics by contesting the local elections. His wife Gunwant is unwell and remains within the confines of her home, writing sad poetry. She still loves her husband and her family very much but there seems to be a rift between them. The rift is strongest between Dr Kapoor and his youngest daughter Sana (Tijori) who has left the family and now works and lives in Delhi. 

When Gunwant mysteriously dies Sana comes home. Once there, she finds her father’s behavior very suspicious, and already at odds with him, suspects that he has killed her mother. Of course she has no proof of this, but a few phone messages and some conversations she has had with her mother lead her to believe that her father has done this awful deed. The question is – will she be able to prove it?

Masoom started off very strong – all sinister gazes and sense of foreboding. Everyone in the Kapoor family has their motivations and their own axe to grind, but the writing tries too hard to sway us one way. Dr Kapoor seems callous about his wife’s death, and a tad too villain-ish – he almost threatens Sana, and then in the bits where he tries to be fatherly, we don’t quite believe him. Sana, for her part, has a one-track mind, she only sees her father in a negative light. 

The intensity of the series seems to wither away as the series progresses. I was disappointed in the ending because it seemed to be a case of creating a mountain out of a mole hill. While Boman Irani does very well with what he’s been given, he can’t help the poor writing.  Samara Tijori was fine but I wish that her character had had more depth – all she does in the series is look sad, suspicious and act rashly.

The other characters should have added to the sinister premise of the story but are sketched poorly. Sana’s siblings seemed kinda wishy-washy, and I didn’t get their deal. There was the off-kilter uncle swearing undying devotion to brother Balraj, and threatening Sana (who’s his niece!). 

Masoom’s characters are unlikeable; I hadn’t a whit of sympathy for anyone, not even the lead protagonist Sana, who’s a headstrong brat, unhappy with almost everything. That, in addition to the one-note characterization, put paid to this series. This should have been an engrossing thriller, but ends up being a namby-pamby, underwhelming bore.

Kidwise: Scenes of domestic violence. A scene with partial nudity.

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Movie Review : Darlings (2022)

Rating : ⭐️⭐️
Genre:
Thriller
Year
: 2022
Running time
: 2 hours 13 minutes
Director
: Jasmeet K. Reen
Cast
: Alia Bhatt, Shefali Shah, Vijay Varma, Roshan Mathew, Rajesh Sharma
Kid rating
: PG

Darlings is about Badrunissa (Alia Bhatt) and Hamza Sheikh (Vijay Verma). Hamza and Badru love each other and get married. Three years down the line we think everything is hunky-dory but then comes the rude shock. Hamza is a violent wife-beater and Badru lives in the belief that one day he will change because he loves her. But then he goes too far. And Badru isn’t quite Badru anymore . . .

So Darlings started out well because it has such an interesting premise. There is the violent husband and his abject sobbing wife. We all wait with bated breath for the day when the husband will go too far and his loving, patient wife will reach the end of her tether. Well, that time comes and goes. The fireworks that we are anticipating peter off into a damp squib.

Alia plays Badru with such frailty and such innocence that we all just want things to turn out well for her. She is supported by her mother Shamsunissa (Shefali Chaya) who lives in the same chawl. Shamsu is independent and smart and she’s supported by her business partner and friends. But as wily as Shamsu and Badru are, they can’t quite come up with a decent plan to outwit Hamza. 

Right when the film should have taken off it took a turn for the worse. The pace slowed down tremendously, and the characters went around in circles without really getting any closer to their objective. The film got pretty boring. I seriously considered either quitting it or just skipping to the end.

There was so much promise here! So much potential! All wasted! Where this story could have gone and where it actually did are two completely different places. I can’t blame the actors for this poor film – that responsibility lies solely on director Reen’s shoulders. Alia is magnificent, as is Shefali Chayya. Vijay Varma whom you might remember from his spectacular performance in Gully Boy, plays Hamza with great skill. Roshan Matthew, a veteran of many Malayalam films (like the intense Kappella), is also very good here. 

Darlings starts off as a thriller and while it does have his moments, it peters off disappointingly into an insipid bore. It is being touted as a thriller or a dark comedy. Be warned that it is neither. 

Kidwise: Scenes of domestic violence.

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Series Review : Masaba Masaba Season 2

Rating : ⭐️⭐️⭐️⭐️
Genre :
Drama
Year :
2022
Season:
2 Episodes: 7
Director :
Sonam Nair
Cast :
Neena Gupta, Masaba Gupta, Neil Bhoopalam, Rytasha Rathore, Kusha Kapila, Ram Kapoor
Kid rating :
PG-15

I just finished binge watching the second season of Masaba Masaba and have got to say that it is better than the first. It’s not as frivolous as Season 1. Masaba seems to have gotten thinner, more mature and less focused on Instagram. There’s also a stronger element of romance with not one but two contenders. The spirit of Masaba Masaba remains the same though. Masaba’s infectious energy and love of work and life is, as before, a pleasure to watch.

You are probably aware if you have heard my review of the first season that in this series Masaba Gupta and her mother Nina Gupta play fictionalized characters based on their real lives. The 2nd season brings in a lot of the real world events and happenings – like the death of Wendell Rodricks who was a father figure and a career mentor to Masaba. The mother daughter duo also broach certain real life controversial topics such as Masaba’s relationship with her father and Neena Gupta’s personal love life.

Masaba Masaba Season two is from the female point of view and quite modern in its sensibilities. It doesn’t try hard to be cool which is refreshing, and honestly, with its focus on female lives and friendships, is the counterpart to all the bromance movies that rule Bollywood.

It’s not all smooth sailing though. Masaba and ma dearest don’t always see eye to eye. Masaba rolls her eyes at her mom’s intrusiveness and Nina Gupta makes passive aggressive comments about Masaba’s lifestyle, and looks askance at her egg-freezing plans. Gia and Masaba bond over have heart-to-heart conversations about romantic connections and PQ, Masaba’s “ho” phase and Gia’s depression.

With her head designer, Masaba has conversations about a woman’s role in the home and the desire to have it all – career, family, love, success and happiness. Oh, all the lovely conversations! It is great to hear women talking to each other about themselves, their own hopes and desires, as individuals with needs of their own.

Acting wise Masaba Gupta does a fair job. Nina Gupta is as amazing as ever. Neil Bhoopalam as the conservative, staid investor Dhairya Rana does exceedingly well. There is a scene in the series where he is backing off on his relationship attempt with Masaba and that scene was quite amazing purely because of the way Neil portrays Dhairya’s hurt and reticence.

On the negative side I thought that Masaba Masaba season two was a little less spontaneous than the previous one. It had a stilted quality where the scenes didn’t flow as well and the dialogues sometimes end on awkward non sequiturs. 

Still, Masaba Masaba Season 2 is warm, light, lovely, and feel-good – a real treat to watch!

Kidwise: Talk of sex and sexual situations.

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Movie Review : Laal Singh Chaddha (2022)

Rating : ⭐️⭐️⭐️⭐️
Genre:
Drama
Year
: 2022
Running time
: 2 hours 39 minutes
Director
: Advait Chandan
Cast
: Amir Khan, Kareena Kapoor, Mona Singh, Naga Chaitanya Akkineni
Kid rating
: G

Laal Singh Chaddha is based on the movie Forrest Gump, and will of course be compared to it. Even so the film has been made quite well and is a charming, engrossing entertainer, standing tall on its own.

So if you haven’t seen Forrest Gump here’s the lowdown. Laal Singh Chaddha (Amir Khan) is a man of diminished mental capacity. But he is a kind, generous, golden hearted soul and the film is about his adventures in life as he goes about interacting with different people. His adventures are interesting because of his unique perspective, taking everyone at face value and not suspecting any ulterior motives. Surprisingly, the world treats him kindly and he is able to achieve unimaginable success. Only in one thing is he unhappy – his unrequited love for Rupa (Kareena Kapoor), his childhood friend.

Now, I quite like Forrest Gump. It is a true classic. And it is hard to measure up to true classics. So I’m quite impressed with Laal Singh Chaddha. The adaptation exceeded my expectations – kudos, Atul Kulkarni! Also fantastic is the fact that it did not turn into a cringy, moralistic, melodramatic remake featuring ma-bete ka pyaar and sanskaar

While  the story is basically the same, it has been adapted to fit in actual events from Indian history like the 1983 World Cup, Babri Masjid riots, the Anna Hazare movement, the Mandal commission protests, the Punjab insurgency, the army operation in the Golden Temple and the assassination of Indira Gandhi. This has been done deftly, with humor and panache, correlating the effects of these on Chaddha, his family and society in general. It was actually hysterical to see the segment involving Laal’s dancing and the way it might’ve influenced the dancing of an Indian superstar.

The film is shot in different parts of the country. Laal on his running journey (he runs for about 4 years because he feels like it) travels to different parts of the country from Kashmir to Kanyakumari and Rajasthan to Ladakh. Gorgeous locales from each part of country flash on-screen, with a bearded, flowy-maned Laal Singh Chaddha running through it all, trailed by a band of followers who look to him for inspiration and hope. Laal Singh Chadha, the film and the character, embody and portray unity in diversity. The film depicts goodness and kindheartedness not because religions tout these traits but because that’s the way we should be.

Aamir Khan is impeccable as Laal. He is the one actor in Bollywood who matches Tom Hanks’ depiction of Forrest Gump in its simple-minded earnestness. And it’s been such a while since we’ve seen him on the big screen you forget what a great actor he is! The scene at the grave, towards the end of the film, was especially moving.

I have never thought of Mona Singh as an especially great actress but here, as Laal’s mother, she is very good. Kareena Kapoor also fits the role of Rupa pretty well and the de-aging effects were quite effective because she looked like she was 18! I also really enjoyed the easy friendship between Bala (Naga Chaitanya) and Laal. And the chaddi-baniyaan business idea was a hoot! Great casting all around!

Laal Singh Chaddha has something for everyone – drama, romance, humor and touchy-feely poignant moments! Fabulous direction by Advait Chandan (he also directed the lovely Secret Superstar), a thoughtful script, well-paced screenplay and a great cast makes this simple tale a feel-good entertainer.

Kidwise: Clean.

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Movie Review : Good Luck Jerry (2022)

Rating : ⭐️⭐️⭐️1/2
Genre:
Comedy
Year
: 2022
Running time
: 2 hours 28 minutes
Director
: Siddharth Sen
Cast
: Jahnvi Kapoor, Mita Vashisht, Sushant Singh, Deepak Dobriyal, Sahil Mehta, Samta Sudiksha, Neeraj Seth
Kid rating
: PG

So the husband saw the trailer of Good Luck Jerry and said it was funny. The convenience of streaming is that you don’t have to think too much to see a film. So we did, despite the fact that the only big name in this film is Jahnvi Kapoor, and she is not quite a star as yet. Am pleasantly surprised – Good luck Jerry is an entertaining romp and a fun watch. It comes from the Aanand L. Rai stable so that probably explains it!

Good Luck Jerry is a story of a young Bihari girl Jaya Kumari, or Jerry (Jahnvi Kapoor) who lives with her mother Sharbati (Mita Vashisht) and sister Chaya “Cherry” Kumari (Sudiksha) in a small town of Punjab. Now, they aren’t wealthy to begin with but things take a turn for the worse when they find that Sharbati has cancer. The treatment will cost lakhs of rupees – money they don’t have.

By chance Jerry and Cherry get involved with a drug smuggling ring and Jerry decides to keep working for it to raise money for her mother’s treatment. However after a close call with the police Jerry wants to quit. Only, the smugglers don’t take very kindly to her request; this is not a regular 9 to 5. Things then go from bad to worse, and Jerry must think of an escape plan.

One of the great things about Good Luck Jerry is its wonderful cast. Mita Vashisht, as the mother, is impeccable. Sushant Singh plays gangster Daler with a mix of humor and menace. I also really enjoyed Sahil Mehta’s depiction of smuggler Jigar, gangly, loud and trigger-happy. Deepak Dobriyal, another dependable actor, provides comic relief as the neighborhood lout and Jerry’s ardent admirer.

Jahnvi does do unsure and waffly quite well and seems to get cast in those kinds of roles. Even in this film, her character is of a naïve innocent, easily scared and ever ready to tear up. She would do well to improve her range of emotions but here does do well as the plucky Jerry, and carries the movie successfully. Kudos to her!

As in all of Anand Rai’s work it is the little touches and the attention to detail that elevate his films. The film location locales are pretty well done – the dimly-lit smugglers office has leather chairs and seedy furniture. The public bathrooms are dingy. Jerry’s home has a little courtyard and chipped walls. And the characterization is spot on. The criminals are brash, uneducated, Punjabi speaking gangsters, spewing casual sexism.The dialogues were apt, realistic and funny; some were real zingers.

The bad guys in Good Luck Jerry are a bunch of bumbling goons, and watching quick-thinking Jerry trying to outwit them, makes an entertaining 2.5 hours. Do watch!

Kidwise: Some gunslinging and violence.

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Movie Review : Jayeshbhai Jordaar (2022)

Rating : ⭐️⭐️
Genre:
Drama
Year
: 2022
Running time
: 2 hours 20 minutes
Director
: Divyaang Thakkar
Cast
: Ranveer Singh, Boman Irani, Ratna Pathak Shah, Shalini Pandey, Jia Vaidya
Kid rating
: PG

Jayeshbhai Jordaar’s story is set in a small Gujarati village where Jayesh’s father Pruthvish (Boman Irani) and his wife Jashoda (Pathak Shah) seek to curb any notion of female equality. Patriarchy reigns supreme as Pruthvish makes women responsible for covering themselves up so that men will not be inflamed by desire. Hand-in-hand with this philosophy goes the preference for a male heir. When it is discovered that Pruthvish’s precious son Jayesh is about to father yet another daughter, Pruthvish and Jashoda are all set on an abortion. 

Well, hero Jayeshbhai (Ranveer Singh) won’t let that happen, Averse to confrontation and an obedient son to boot, Jayesh can’t voice his disagreement, but runs away with wife and daughter to prevent Pruthvish from getting his wish. His goal is to take them to a Haryanvi village where his family will be safe. Will he able to ensure their well-being?

The film has a good message, but goes about delivering it in a ridiculous fashion. Jayeshbhai Jordar is about a woman’s issue but as the title suggests the film is all about the man. The star Jayeshbhai is painted as the savior while the women – the actual people affected – remain mute and docile and primed for saving.

The scene where Jayeshbhai preaches (yes, sweetly, but it is still preaching) to the women about handling their husbands with love, set my teeth on edge. His pregnant wife Mudra is nothing but a prop. While Ranveer brings Jayeshbhai’s character to life, Shalini Pandey and the little attention to her character makes her a part of the backdrop; had they replaced her with a block of wood I’d scarce have noticed. 

The director and script-writer seem to have almost no comprehension of the effects of foeticide or the larger reality. They portray the bachelors of a Haryanvi village (where the women have been wiped out thanks to sex-selection) as sweet lambs who treasure and honor women. In reality a scarcity of women, in the absence of law and order, does not magically turn female-foetus-aborting men into respectful gentlemen, conscious of their misdeeds; it only leads to women being trafficked and bought and sold in these areas.

The film tries to bring in humor with Jayeshbhai’s lively antics and a coterie of Haryanvi bachelors traveling around in a bus, but the general stupidity of the film makes the humor hard to countenance. I felt like I’d been transported to the small screen watching one of Ekta Kapoor’s better television series – such is the tone and disconnect with reality. 

On the positive side, the film is anchored by some strong performances. Boman Irani as the patriarchal Pruthvish and Ratna Pathak Shah as Jashoda deliver convincing performances. Ranveer was a delight to watch, as was Jia Vaidya who plays his plucky, smart-talking daughter.

Despite its heart being in the right place, Jayeshbhai Jordaar is a tiresome watch. You could do better than this dithering mess.

Kidwise: Talk of sex-selection and the role of women. The little ones might need explanations.

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Movie Review : Looop Lapeta (2022)

Rating : ⭐️⭐️⭐️1/2
Genre:
Sci-fi/Experimental
Year
: 2022
Running time
: 2 hours 11 minutes
Director
: Aakash Bhatia
Cast
: Taapsee Pannu, Tahir Raj Bhasin, Dibyendu Bhattacharya
Kid rating
: PG

Looop Lapeta is based on the German movie Run Lola Run about the same events unfolding 3 ways. The film has been modified to fit the Indian mold, with some new characters introduced and some removed, but the adaptation is done well, and the quirky film is fun to watch.

Savina “Savi” Borkar (Pannu) receives a call from her boyfriend Satya (Tahir Raj Bhasin) – notice the name allusion to the Savitri Satyavan legend. Satya has managed to lose a large amount of money, and he must now face his boss who will but surely make short shrift of him. He then panics and calls Savi for help. Savi, dealing with momentous news of her own, drops everything and begins to run for help.

In a quest to get the money Satya requires, Savi meets many people – her father, a pair of estranged lovers, a jewelry store owner. Things don’t look bright but she never gives up. Meanwhile, the boyfriend, not the brightest of chaps, gets embroiled in other sticky situations.

This film is well-named because it is loopy. There are do-overs and Savi and Satya start over and over after earier attempts where they mess up and one of them dies. It is a little mind-bending but in a fun way. 

Taapsee Pannu as Savi is spot-on, and while Bhasin is fine, I’m just surprised to see him in a series (Yeh Kali Kali Aankhein) and a movie (this one) in a short span of time. He is not quite good-looking enough for a Bollywood hero – not that that is a hard requirement, there is Rajkummar Yadav – but still. The acting chops while adequate aren’t quite of Yadav’s calibre. 

It is lovely to see an fun sci-fi film in Bollywood, even if it is “inspired” – you might recall that another Taapsee starrer Game Over had a similar do-over concept. Loop Lapeta is an entertaining watch – well-paced, and with interesting plot twists. Do watch.

Kidwise: Clean

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Movie Review : Anek (2022)

Rating : ⭐️⭐️⭐️
Genre:
Drama
Year
: 2022
Running time
: 2 hours 27 minutes
Director
: Anubhav Sinha
Cast
: Ayushman Khurana, Andrea Kevichusa, Kumud Mishra, Manoj Pahwa
Kid rating
: PG-13

I was looking forward to watching Anek but when it released its time in the theater was so short that I had to wait for its release on Amazon Prime. Given its star cast and the fact that Ayushmann Khurrana chooses interesting projects I had high hopes for Anek, but it left me a little disappointed.

Anek is about India’s north-eastern states. The story revolves around separatists who don’t believe their voices are being heard by the politicians of Delhi. Ayushmann Khurrana plays an undercover government agent, Aman, who is sent to the north eastern states to ferret out information about faction groups. As cafe-owner Joshua, he gets to know the locals and starts seeing their point of view.

Aido (Andrea), is a friend of Joshua’s. She is a boxer and wants to compete for India so that when she’s on the world stage people will listen to her voice about the injustice meted out to her people. Her father meanwhile, as the head of one of the militant groups feels that there is no hope in talks with the Indian government and that violence is necessary. In the mix also are the politicians – the wily minister (Kumud Mishra) and his right hand man Abrar Bhatt (Pahwa) who want to sign a peace accord with one of the larger militant groups, the Tiger Sangha.

The many layers to the story become clear to us little by little. Given that the topic is complex, and the film a little dense, the viewer is left to his own means to piece together the story. Having a voice-over, or even a character narrating the story (maybe as a flashback), would have really helped make the film and the film’s core issue more approachable and understandable for the average movie-goer.

The film is told from the point of view of the north easterners, estranged from the Indian mainland and facing racism even as Indian citizens. The politicians are shown as wanting a peace accord accord but not really caring about long-term resolution. In the middle is Joshua who comes into this initially at the behest of his politician masters, but then makes up his own mind.

The films pace is sporadic. There are bursts of quick action interspersed with lulls so the film never really takes off. Director Anubhav Sinha picks important topics about the state of the country, and has a penchant for dishing out home-truths. He also directed the fabulous Article 15 but while that was superbly intense Anek falters.

Ayushmann Khurrana looks very different from his usual self and his acting is not as good – there was this particular mode he seemed to go into at times, where I could not tell if his character was angry or frustrated or just plain at his wit’s end. Northeastern actress Andrea Kevichusko is quite good and the supporting cast also does well. While the film is earnest and tries to tell some truths it can’t get across its message in an interesting fashion. Anek suffers from clunky writing and lackluster storytelling.

Kidwise: Violence, and talk of violence.

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Movie Review : Jug Jugg Jeeyo (2022)

Rating : ⭐️⭐️⭐️
Genre:
Drama
Year
: 2022
Running time
: 2 hours
Director
: Raj Mehta
Cast
: Anil Kapoor, Kiara Advani, Varun Dhawan, Neetu Kapoor
Kid rating
: PG-13

Jug jugg Jeeyo is about a dysfunctional family in which the son, Kukkoo (Varun Dhawan) and the daughter-in-law Naina (Kiara Advani) live in Toronto, Canada, far from their families in Punjab. Kukkoo, although initially in love with his childhood sweetheart has grown apart from her. Ditto for her. They both want a divorce but decide to keep mum until Kukkoo’s sister’s wedding, which is happening soon, is over. When they reach India however they discover that theirs is not the only marriage breaking up.

The film is situated in Patiala, Punjab in a traditional family setup where the father (Anil Kapoor) is a patriarch and the head of the family, and the mother (Neetu Kapoor) is the loving, considerate care-taker of the family, feeding everyone parathas (remember this is Punjab, per Bollywood standards). I also say typically Punjabi because this is full of sound effects and music and little comedic asides. Every scene has dhol or music or some reference to party-sharty/khana-shana/daaru-shaaru/Punjabi munde so it’s very loud – it is a Karan Johar production through and through.

The film tries to show that people can grow apart at any point in their lives for many different reasons. It also emphasizes that marriage takes effort from both partners, but tries to do it without allocating any blame (even where it’s due!). While Kukoo feels threatened by his wife’s professional success, his father wants to leave his wife for another woman. Kukkoo is shown as a little repentant and realizing his mistakes, while Papaji who could take some learning, is essentially unchanged. It’s all very macho Punjabi – with a hefty dose of the boys-will-be-boys philosophy.

While the broad theme of Jug Jugg Jeeyo is obvious the film does not have a strong screenplay, so there are lots of little incidents juxtaposed around each other without coherence. Too much noise and too little substance (director Raj Meta’s last venture was Good Newzz) ! It feels very much like a script-less film, almost as though they started with one idea and just kept building little scenes as the fancy took them.

Even so the film is not un-entertaining. All the actors actually do well. Anil Kapoor is his usual energetic self, although a tad one-tone, as the patriarch who misses the whiff of romance. Varun Dhawan as Kukoo is his robustly Punjabi son, hankering for the homeland. Neetu Kapoor is quite lovely as the domestic mater with a mind of her own and Kiara Advani, as beautiful daughter-in-law Naina is quite believable. My favorite scene of the film had the mother-in-law and daughter-in-law having a wonderful heart-to-heart over wine.

While Jug Jugg Jeeyo is not going to win any awards for authenticity, it is is a decent Friday night entertainer. Don’t go looking for subtlety and deep meaning in this loud melodrama, and you will be well pleased.

Kidwise: Couple of borderline salacious scenes featuring a bachelor party and women, although nothing explicit is ever shown on screen.

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Movie Review : Chandigarh Kare Aashiqui (2021)

Rating : ⭐️⭐️⭐️1/2
Genre:
Drama
Year
: 2021
Running time
: 2 hours
Director
: Abhishek Kapoor
Cast
: Ayushmann Khurana, Vaani Kapoor, Kanwaljeet Singh, Anjan Srivastava
Kid rating
: PG-13

Manvinder “Manu” Munjal (Khurana) is a gym owner and body-builder and Maanvi Brar (Kapoor) is a lovely young Zumba teacher who teaches in Manu’s gym. The two fall in love, but when Maanvi reveals a big personal secret Manu feels cheated and breaks off the relationship. 

Chandigarh Kare Aashiqui is about a relationship between a heterosexual man and a trans woman and deals with the acceptance of transfolk as normal members of society. The film presents its topic with humor, using macho Manu, his Punjabi friends and his conservative family as mouthpieces to voice the common misperceptions and prejudices with regards to transfolk. Not only are Manu’s family aghast at the idea, Maanvi’s mother herself had distanced herself from Maanvi because of her gender reassignment. 

Ayushmann delivers a strong performance, but we didn’t expect any less. Vaani Kapoor is really good here too, by turns tremulous and stoic, as Maanvi remembers past indignities and insults hurled at her by family, friends and society in general. It was nice to see Kanwaljeet Singh as Maanvi’s supportive dad. Manu’s family, while a little stereo-typed, does probably represent typical middle-class outlook.

Chandigarh Kare Ashiqui deals with a serious topic, but in a light, humorous vein – and succeeds because it does get us to feel for Maanvi’s hard choices and her struggle to find acceptance and happiness. The film is well-paced, has peppy music and keeps one engrossed. Director Abhishek Kapoor (Kai Po Che, Rock On) takes a progressive note with this film and delivers a breezy entertainer.

Kidwise: Kids probably aren’t the right audience for this, unless well-educated about the issue. The film features discussions about sexual orientation and graphics of the actual procedure.

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