Review : Bride and Prejudice

Rating : Good (4/5)
Genre : All-in-one
Year : 2005
Running time : 111 minutes
Director : Gurinder Chaddha
Cast : Aishwarya Rai, Martin Henderson, Naveen Andrews, Namrata Shirodkar, Nadira Babbar, Anupam Kher, Sonali Kulkarni, Pia Rai Chaudhary, Indira Varma, Meghna Kothari, Nitin Ganatra, Daniel Gillies
Music : Anu Mallik



Bride and Prejudice : Straight-thinking Bollywood meets Hollywood

B&P is a typical, feel-good Bollywood entertainer with a mind of its own. Inspired by the Jane Austen novel, Chaddha adapts the age-old storyline of the hunt for a suitable boy, to a family in lush Punjab, in modern-day India. The Bakshi parivar is composed of the father (Kher), the mother (Babbar) and the four daughters : Jaya (Shirodkar), Lalitha (Aishwarya), Lakhi (Pia RC), and Maya (Kothari). Jaya is the shy “good” girl, while Lalitha is the outspoken fire-ball who helps her father with his business, and appreciates having a mind.

We first see the lead pair together when the family goes to a wedding, and meets Balraj Bingley (Andrews), who is in India on business. He is accompanied by his sister, the statuesque Krishna (Varma) and American friend William Darcy (Henderson). Mrs. Bakshi is keen to make a matrimonial match between Jaya and Balraj, and is delighted when the pair take a liking to each other. Lalitha and Will eye each other, but a mutual dislike is apparent when Will rejects friendly overtures by the Bakshi family.

Later the same evening, when Balraj asks Mr.Bakshi if Jaya can accompany them (Balraj and Co.) to Goa for a few days, Mr. Bakshi demurs. Matters are resolved satisfactorily however, on Mrs. Bakshi’s insistence, with Lalitha being volunteered as a chaperone to accompany Jaya. The Goa trip, while bringing Jaya and Balraj closer only heightens the differences between Darcy and Lalitha. In Goa, Lalitha also meets Johnny Wickham , Darcy’s old adversary, finds herself drawn to his honesty and straightforwardness, and invites him to Amritsar.

When they return from the trip, Jaya and Lalitha find the Bakshi household awash in preparations for the arrival of NRI Mr. Kohli (Ganatra). Mrs. Bakshi has set her sights on Kohli-saab (caricaturised as a typical Californian NRI) ,as a prospective son-in-law. Wickham too arrives in Amritsar, having accepted Lalitha’s invitation, and is welcomed into the Bakshi household as Lalitha’s friend. Does Balraj indeed woo Jaya ? Does Mrs. Bakshi snag Kohli as a son-in-law or do Lalitha and Wickham get more involved ? The rest of the movie follows along the novel’s plot, and resolves misunderstandings/squabbles and does the “bad” men in.

Acting is adequate all around. Nadira Babbar plays the exaggerated, raving and ranting Punjabi Mom to the hilt, while Kher turns in a sterling performance as the long-suffering, cringing husband. Peeya Rai C. delivers a peppy performance as the younger sister Lakhi, while Ganatra delivers the laughs in his potraiture of the materialistic Kohli-saab. The romantic pairs add pizzazz. Direction is good, and the film is colorful, and peppered with songs, dances and the sights and smells of India.

On the philosophical front, it makes one reflect a bit, when you think that an 1813 Victorian-ish novel fits so well into modern day Indian society. And it jars you a bit, when see the four sisters so baldly “marketed” in the marriage market, by their well-meaning mom.

Music is poor, with many songs awkward-sounding in English, and the compositions not very catchy. The only enjoyable songs are “No Life without wife”, a peppy number picturised on the four sisters, and the initial Hindi wedding song. Although Chaddha takes liberties with the original storyline, as well as with Indian inhibitions, she does it well. The film in parts has some incongruities, but overall is a crowd-pleasing entertainer.

Posted in bollywood, english, recommended | 2 Comments

Review : Chasm-e-buddoor

Rating : Very Good (4.5/5)
Genre : Comedy
Year : 1982
Running time : 2 hrs 25 minutes
Director : Sai Paranjpe
Cast : Saeed Jaffrey, Deepti Naval, Farookh Shaikh, Ravi Baswani, Rakesh Bedi

CHASHM-E-BUDDOOR : Good, clean comedy

This is the story of 3 friends Sidhharta (Farooq Shaikh), Jomo (Ravi Baswani) and Omi (Rakesh Bedi), sharing a flat in Delhi. The three are students, still recieving financial aid from their parents, and are trying to get jobs. Sidhharta is the “serious” one of the lot, the other two being good-natured, girl-watching idlers. Neha (Deepti Naval) is the pretty girl in the neighborhood, whom Omi and Jomo try to woo. Their adventures with Neha end badly for them, since Neha lives with her well-built and handy-with-his-fists brother.

Sidhharta, who hasn’t met Neha yet, meets her when she comes selling a detergent powder “Chamko” door-to-door. Their meeting leads to other meetings and finally to romance. When Omi and Jomo get a whiff of Sidhharta’s romance, they are stung by pangs of jealousy, and try to break it up by manufacturing amorous love stories of their own. They paint Neha’s character as that of a moral-less, flighty girl, and offer Sidhharta proof in the forms of various “landmarks” inside Neha’s home. What Sidhharta does not know is that both Jomo and Omi have entered Neha’s home only to be beaten up, by her family members.

Upon actually seeing his friends’ “proof” in Neha’s home, Sidhharta is hurt, and breaks up with Neha. Meanwhile Omi and Jomo are repentant of their jealous behavior, and try to unite the lovers again. Do they succeed ? …

Besides consummate actors, this film features a simple, yet comic-in-its-everydayness storyline. Direction is good and songs are hum-mable. A clean family film.

Posted in bollywood, comedy, family-friendly, humor, outstanding, rating-G, recommended | 1 Comment

Review : Taal

Rating : Average (3/5)
Genre : All-in-one
Year : 1999
Running time : 2 hrs and 59 minutes
Director : Subhash Ghai
Cast : Aishwarya Rai, Akshaye Khanna, Anil Kapoor, Alok Nath

TAAL : Awkward musical

This film proves it. Subhash Ghai’s direction is going down the drain. Senility or old-age or both ? I mean, I used to like Ghai films (Pardes was interesting), but the showman is losing his shine. This is a film full of improbabilities, one improbability slathered upon another, until you are choked by this thick miasma of foolishness. Yes, I understand that in Hindi films, dancers are expected to materialise out of thin air, music and the sounds of the tabla reverberate out of the valley the hero is dancing in, and entire neighborhoods are at leisure to gossip over the tiniest detail of the heroine’s day-to-day life. But, let’s do this in moderation please. In Taal, an overt break from reality hits me smack dab in the eye.Manasi (Aishwarya), a gorgeous dancing damsel, spends her leisure time (and she apparently has lots of it) dancing in the beautiful valleys and plains of her village Chamba, in Himachal Pradesh, where she lives with her folk-singer father Tarabhai (Alok Nath). During one of her impromptu dances, she is secretly watched by Manav (Akshaye), who is visiting the hill-station with his rich family. Manav and Manasi fall in love of course, but then are forced into separation by Manav’s decision to leave Chamba sans Manasi. They promise each other ever lasting love and marriage, and then separate.

 

After some time, Manasi reaches Manav’s house in the big city, where she and her father are ill-treated because she is poor, and Manav’s foreign-returned aunt doesn’t like that. More trouble brews, and Manasi and Manav break-up. Now Manasi meets Vikrant Kapur (Anil Kapoor), music director and music stealer extraordinaire. He also has a music company. Eyeing Manasi, Vikrant promises her the stars and makes her one too -a dancing and singing star that is. He also proceeds to fall in love with her. Does Manasi love him too ? Or does she secretly pine for Manav ? ….

The film is about 3 hours long, with 12 songs; that averages to about a song every 15 minutes. And these are l-o-n-g songs, so you approximately have 10 minutes of inane dialogue, before a 5 minute long song pops up. All these songs in a plot so thin, a child could snap it in two. Added to that, all dances in this film , (and there are lots of them too) have awkward choreography, not smooth and definitely not graceful. Pretty painful to watch. Also, both Aish and Akshaye need hair care, she needs some anti-friz treatment, and he needs to grow some hair !

Just about average is the highest rating I can give this film. I found an amusing review of this film by Roger Ebert. Taal is being screened at his “Overlooked films festival”. Overlooked, indeed! Me, I looked too much.

Posted in bollywood | Comments Off on Review : Taal

Best Hindi movies by year

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Here are the top ten movies of each year in descending order (#1 is best). You can also see a list of best hindi movies by genre, or browse all reviews alphabetically.

Watchable films of 2010 (not in any particular order)

Ishqiya (Podcast Review)
My name is Khan
Karthik calling Karthik

2009

1. Delhi 6
2. Kaminey
3. Love Aaj Kal
4. Sankat City
5. Rocket Singh : Salesman of the year
6. Luck by chance
7. Wake up Sid !
8. 3 Idiots
9. 99
10. Chintuji

2008
1. Mithya
2. Welcome to Sajjanpur
3. Jodhaa Akbar
4. Jaane tu ya jaane na
5. Sorry Bhai
6. A Wednesday
7. Ghajini
8. Superstar
9. Rab ne bana di jodi
10. Ramchand Pakistani

2007

1. Chak de India
2. Johnny Gaddar
3. Manorama six feet under
4. Jab we met
5. Cheeni Kum
6. Life in a metro
7. Bheja Fry
8. Jhoom barabar jhoom
9. Honeymoon Travels Pvt. Ltd.
10. Taare zameen par

2006
1. Omkara
2. Rang de basanti
3. Khosla ka ghosla
4. Kabhi alvida naa kehna
5. Pyar ke side effects
6. Dor
7. Maalamal Weekly
8. Baabul
9. Lage raho Munna bhai
10.Taxi No. 9211

2005

1. Sehar
2. Paheli
3. Page 3
4. Parineeta
5. My brother Nikhil
6. Main meri patni aur woh
7. Sarkar
8. Hazaron khwaishen aisi
9. Iqbal
10.Socha na tha

2004

1. Swades
2. Ek hasina thi
3. Maqbool
4. Yuva
5. Lakshya
6. Dev
7. Ab tak Chappan
8. Veer Zaara
9. Main hoon na
10. Masti

2003

1. Rules
2. Mai Madhuri Dixit banna chahti hoon
3. Haasil
4. Pinjar
5. Darna mana hai
6. Mr. & Mrs. Iyer
7. Dum
8. Gangajal
9. Koi mil gaya
10. Munnabhai MBBS

2002

1. Company
2. Saathiya
3. Road
4. Devdas
5. The legend of Bhagat Singh
6. Shakti – the power (starring Karisma Kapoor)
7. Humraaz
8. Aankhen
9. Agnivarsha
10. Makdee

2001
1. Dil Chahta Hai
2. Lagaan
3. Pyar tune kya kiya
4. Chandni Bar
5. Yeh tera ghar, yeh mera ghar
6. Zubeida
7. Kabhi khushi kabhi gam
8. Love ke liye kuch be karega
9. Gadar
10. Tera mera saath rahe

2000

1. Astitva
2. Dil pe mat le yaar
3. Hera pheri
4. Kya kehna
5. Pukar
6. Bawandar
7. Hey Ram
8. Ghaat
9. Mohabbatein
10. Mission Kashmir

1999

1. Shool
2. 1947 Earth
3. Hum dil de chuke sanam
4. Sarfarosh
5. Vaastav
6. Jungle
7. Mast
8. Takshak
9. Godmother
10. Hu-tu-tu

Posted in Best hindi movies, bollywood, recommended, Top 10 | 19 Comments

Review : Socha na tha

Rating : Above average(3.5/5)
Genre : Romantic Drama
Year : 2005
Running Time : 2 hours 37 minutes
Cast : Abhay Deol, Ayesha Takia, Rati Agnihotri, Apoorva Jha, Ayesha Jhulka, Raj Zutshi, Sandhya Mridul, Suresh Oberoi
Running Time : 2 hours, 25 minutes
Director : Imtiaz ali
Music : Sandesh Shandilya

Socha na tha is a cutesy, tenderly told love story, which is above average primarily because of its heroine Ayesha Takia. Some of you may remember her from the music video of D.J.Aqeel’s hit song “Nahin nahin” from the remix album “The Daddy Mix” – she’s the girl in the 2 pigtails riding around in the elevator. She’s also had a couple of films previous to this one. Abhay Deol, scion of the Deol clan, is a non-looker, but does a decent job of acting. What is off-putting about his character in the movie, is that it resembles that of a loser; the kind of guy a girl would normally not “touch”, except maybe with a bargepole.

The story is a little convoluted for a love-story – none of the boy-meets-girl-and-they-face-opposition kind of a thing. Viren Oberoi (Deol) is a rich wastrel, who on coming back from education in America, shows no inclination of joining the family business, but is content spending time with his girlfriend Karen (Karen Jha). His family is unaware about Karen’s presence in Viren’s life, because she is Catholic, and Viren doesn’t have the nerve to tell his strongly Punjabi family that he has been dating a Christian the past three years. The family finally decides that Viren must “settle down” and chooses a girl, Aditi Sahani (Takia) for him. Aditi is the niece of the household, since her aunt and uncle have taken her in after her parents expired.

On the arranged “girl viewing” when Viren meets Aditi, he explains to her (in private) that he is in love with his girlfriend Karen, and has no intention of marrying her (Aditi). They chat and become friends in a short meeting. When Viren conveys his rejection of the girl, there is bad blood between the two families, with insults being traded freely, thus stemmng the public display of Viren and Aditi’s friendship. They do continue meeting by chance however, and the friendship grows secretly.

Meanwhile, Viren proposes to Karen, she accepts, and on persuasion, so does her family. Viren is thinking of ways to persuade his family (by enlisting his bhabhi’s (Ayesha Jhulka) help), when suddenly Karen’s parents come to meet Viren’s. Viren’s dad (Suresh Oberoi) refuses the match basing his decision on the religion factor. Viren, during this time starts to doubt his feelings for Karen, and realises he has stronger feelings for Aditi. He then sneaks into Aditi’s home, and declares his love to her. She apparently loves him too. When he returns home, with plans of breaking it off with Karen, he finds Karen and family at his home amid celebrations – his parents have agreed to the match because of his bhabhi’s persuasion ! Is Viren able to get out of the mess he’s created ? And do he and Aditi find romantic bliss despite stiff opposition from both families ? Watch the movie to find out.

All the actors in ths movie have done a decent job. Direction is proficient. The script although reasonable, does have some improbable scenarios in which the hero acts totally out of character; rather boorishly actually, hence robbing him of some of the audience’s sympathy. This takes away from the charm of the film. Plus, the film is rife with the “boys will be boys” outlook, where rudeness, and weakness of character in the hero, still make him a “nice” boy. A similar weakness on the heroine’s part, had it existed, would have earned her severe retribution in the film.

What actually garners interest however, is the innocence exuded by the romantic pair, earning well-needed brownie points. Ayesha Takia does well in her depiction of an innocent and diffident girl, indebted to her aunt and uncle. She isn’t beautiful, but is pretty in a girl-next-door-kind of a way. Deol supports her ably, although he could definitely work on his diction, and on increasing his visual appeal. Ayesha Jhulka as the bhabhi is good, and so is Rati Agnihotri. Sandhya Mridul has a tiny role as Rati’s daughter. Apoorva Jha as Karen does adequately.

The film scores bigtime on the music. Shandilya proves his mettle yet again, although the quality isn’t as good as of the film “Rules”. Two melodious songs deserve special mention : “Seedhe saadhe dhang se” – sung by K.K., and “Mera tumhara” sung by Shandilya himself.

Posted in bollywood, family-friendly, rating-PG, recommended, romance | 4 Comments

Review : Shool

Rating : Excellent(5/5)
Genre : Drama
Year : 1999
Running Time : 2 hours 10 minutes
Cast : Manoj Bajpai, Raveena Tandon, Sayaji Shinde

Running Time : 2 hours, 20 minutes
Director : E. Nivas
Music : Shankar, Ehsaan, Loy

SHOOL : Hard-hitting drama in the common man’s life

Folks, this film is as good as they get. I consider none better (in the drama genre) except “Company” – and that explains my going into raptures over this film. E.Nivas gives us this absolutely amazing movie, complete with drama, awesome acting, and an item number to boot. Here’s the spoiler-free gist :

Samar Pratap Singh (Manoj Bajpai) is an honest police officer, and Manjari (Raveena Tandon) his supportive wife. They have a little daughter Sonu. Samar, because of his honesty is frequently being transferred, and has now finally reached the little town of Motihari in Bihar. We see him and his family at the railway station, and subsequently also see Samar upbraiding a high-handed constable for his insensitiveness to ordinary citizens.

Motihari’s lord and master, so to speak, is slimy MLA Bachu Yadav (Sayaji Shinde). The police and most of Samar’s colleagues kow-tow to Yadav . The epitome of corruption, Yadav has been the MLA for 15 years, but loses his ticket as his party opts for someone else. On hearing this ,Yadav makes short shrift of the unfortunate man, and avails himself of the party ticket. Samar, an honest cop, has frequent run-ins with Yadav, to the point where he (Samar) begins to fear for his family. Does Samar manage to take on Yadav and win ? The rest of the movie says it all.

This is an engrossing film, and is pretty violent in content. Bajpai is truly the best hindi film actor in the industry, and Raveena matches him in a low-key, plain, house-wifey role. Sayaji Shinde shines as the absolutely corrupt and moralless Yadav. The only flaw that I could see, in this seemingly perfect film, was that Raveena was too glamorous for the role of Manjari. A docile looking plain-Jane would have been better suited.

Posted in bollywood, drama, outstanding, rating-PG13, recommended, thriller | Tagged | 9 Comments

Review : Rules – pyar ka superhit formula

Rating : Excellent(5/5)
Genre : Romance
Year : 2004
Running Time : 2 hours 10 minutes
Cast : Milind Soman, Meera Vasudevan, Tanuja, Namrata Barua

Director : Parvati Balagopalan
Music : Sandesh Shandilya

RULES:Pyar ka superhit formula – This one rocks !

This is a new director debut, and Parvati Balagopalan makes the most of it. Very nicely crafted, this modern-day love story, doesn’t really adhere to the wait-n-watch approach of slow-paced love, but still is a treat. Adding to the charm and general bonhomie, are debut actress Meera Vasudevan as the perky Radha and model Milind Soman as what else – model Vikram Verma.

OK, so we have assistant photographer Radha, silently salivating over model Vikram Verma. Of course Vikram, who already has a girlfriend (Namrata Barua as the perpetually pouting Maggie) is totally unaware of her presence. Hence, Radha is sad and distracted, and silently sighs, and sighs, and sighs… until her sprightly grandmother (Tanuja in an endearing role) notices, and offers her a solution for the problem.

Her solution consists of Radha’s application of 5 rules, with Nirvana i.e.; Vikram’s undying love as the ultimate goal. Radha agrees, of course (duh !). Begin application. End application. Goal achieved ? Watch and find out.

Direction is slick. I particularly liked the “involve the viewer” technique Ms.Balagopalan uses. It consists of little snippets where one of the characters in the film, sort of speaks to the audience – almost like an aside, giving viewers some inside knowledge. For example, Radha’s Nani cooking food (naiappam ??) and talking to the viewer about Radha’s obsession with Vikram. Also, Meera acts well , and comes across as a “real” girl with a natural figure, not one of the unnaturally thin heroines of current hindi cinema.

Tanuja of course takes the cake for her performance as Radha’s loving, young-at-heart Nani. The icing on the cake – Milind Soman looks gorgeous (as usual) and acts pretty adequately actually. There are a few minor characters played by some familiar people – like Pari of “Jassi Jaisi Koi nahin” fame.

And music by Shandilya is fabulous; melodious, with great bits of instrumental music (the veena ?). He’s done a great job of creating a sort of fusion, earthy tradional sounds mixed with modern pop. “Chodo na mujhe” sung by Kunal Ganjawala is a catchy tune. Singer Sanjeevani (her of the soft, sweet, little girl voice) makes a mini-comeback with the song “Uljhano ko de diya hai”, an absolutely beautiful, catch-my-breath number.

Definitely a must-see film.

Posted in bollywood, family-friendly, outstanding, rating-PG, recommended, romance | 1 Comment

Review : Prem Rog

[amazon_link id=”B000A59QAA” target=”_blank” container=”” container_class=”” ]Prem Rog[/amazon_link]Rating : Good (4/5)
Genre : Romantic drama
Year : 1982
Running time : 2 hrs and 51 minutes
Cast : Rishi Kapoor, Padmini Kolhapure, Shammi Kapoor, Vijayendra Ghatge, Nanda, Prem Chopra

PREM ROG : Charming

I was a kid when I saw this (and now I’m a bit older 🙂 , a teeny-tiny bit though ), so my details may not be down pat. This could easily be classified as an “all-in-one” , since it has all the ingredients, but to me this has always been a romance. Why ? Am not sure, but I think its because of the notion of love sustaining over time. Anyway here are the bare bones, and then some :Manorama (a very young Padmini Kolhapure), is the darling daughter of a rich family, whose patriarch is the all-powerful Thakur (an aging Shammi Kapoor). She is coddled, and pampered and her every whim is answered. Deodhar (Rishi Kapoor) is a poor orphan in the village, who is able to further his education in the big city with the Thakur’s help. He returns after his studies, to find that Manorama has grown up into a beautiful young lady, and promptly falls in love with her. He is unable to declare his love for her however, because of the apparent class-distinction (lowly orphan vs. rich nymph – you get ?)

Manorama, of course unaware and child-like treats him as always, as her child-hood friend. Enter the handsome and rich Vijayendra Ghatge (I forget his screen name) as Manorama’s prospective bridegroom. She is soon married and off to her sasuraal, leaving Deodhar in silent despair…

This is a Yashraj production, so very visually pleasing. Add to that Ms. Kolhapure of yesteryear, when she actually exuded innocence, and a young Rishi Kapoor, and you have a sure-fire hit. Remember that the young Rishi Kapoor was minus pot-belly and the ravages of time. Good actors, and good direction and some very nice songs. Plus that unfathomable sensuousness of slowly unfolding important events – something I’ve seen only in older love stories. Nowdays we hurry too much me thinks.

The film is a love story no doubt, but also dwells upon and shown class-distinctions, a feudal society, widow status, and problems faced by widows in traditional India. The writer of this film, Kamna Chandra is the mom of author Vikram chandra. She later also wrote “1942 – a love story”.

Posted in bollywood, recommended, romance, watchable | 6 Comments

Review : Hari-bhari

Rating : Good(4/5)
Genre : Drama
Year : 2000
Running time : 134 minutes

Director : Shyam Benegal
Cast : Shaban Azmi, Nandita Das, Surekha Sikri, Seema Bhargava, Rajeshwari Sachdev, Alka Trivedi, Srivallabh Vyas, Meghna Kothari, Murad Ali, Abhay Chopra

HARI-BHARI : Down-to-earth reality

Haribhari can be classified as a drama with a social message. I believe it was made with support from the Govt. of India’s Ministry of Health and Family Planning. Unlike the image which “social message” creates this film is neither drab nor dreary, but a really interesting drama. Hari-bhari means “fertile” and is often used in vernacular terms to indicate the fertility of the womb.It is the story of three generations of women of a Muslim family, living in a village in Uttar Pradesh.The women are the grandmother Hasina (Surekha sikri), her daughter Ghazala (Shabana Azmi), Hasina’s daughters-in-law Afsana (Nandita Das) and Najma (Alka Trivedi), and Ghazala’s teenaged daugther Salma (Sachdeva). Out of Hasina’s two sons, the elder Khaleel (Lalit Tiwari), stays in the village with his wife Najma, and tends to the family land, while the younger Kurshid (Rajit Kapoor) works in Meerut, while his wife Afsana stays with his mother and brother’s family.

The story unfolds episode fashion; we get to hear of first one then another issue, and the whole gamut is weaved into tales, interlinked by the fact that all the women belong to the same family. Each women due to her age and circumstance experiences a different set of problems, and the director deals with a host of issues, like illiteracy, ignorance and superstition, lack of control over their own bodies, and lack of female empowerment.

When the film begins, Ghazala has been married several years to a capricious man, Munir (Srivallabh Vyas), who has once again driven her out of the home, because she hasn’t been able to give him a son. Ghazala comes to her mother’s home, where her brother and his wife take her and her daughter in. Of course, despite the fact that Munir is an evil-tempered man, everyone wants her to go back to her husband’s home.

While Ghazala is at her mother’s home, the story focusses on other problems in her family. We see that Najma wants an end to her perpetual pregnancies, and Salma wants to study instead of getting married. We see how Ghazala and Najma help each other in difficult situations, and how Najma, going against her mother-in-law and religious pressures, opts for a sterilization procedure. In contrast to these two, is the semi-educated (uptil class 5th) Afsana, who is a stickler for fundamentalism and calls down Allah’s wrath on Najma’s so-called wrongdoing. Khallel stands by his wife’s actions, and Khurshid (back from Meerut for a few days)supports them too.

Salma, meanwhile shuttles between her father and her grandmother’s homes, chiefly because her father having driven her mother out, now wants to avail himself of Salma’s house-keeping abilities. So, she’s forced to go to his home to cook and clean for him. She tells her mother of having heard of Munir’s plans to remarry. Khaleel tries then to get Munir to take Ghazala back, and agrees when Munir demands a color TV in return. Ghazala does finally refuse to go back to Munir’s house, and wants to give her daughter a better life through education, but society and circumstances do not make it easy for her.

At the end of the movie, Hasina is diagnosed with cancer, because of problems while having many children. Salma has her problems solved because her mother has dropped the idea of her marriage and has agreed to let her study further.

The movie has an arresting storyline, although it is not outrageously eventful. Life goes on, and there are no instantaneous or easy solutions. The director does a marvelous job of marrying reality and fiction into an entertaining yet thoughtful film. The cast (each and everyone of them) is stellar. So if you want to see a quality film, plain and simple, this one is it.

Posted in bollywood, drama, rating-PG13, recommended, social issues, women | 3 Comments

Review : Kaun

Rating : Excellent (5/5)
Genre : Thriller
Year : 1998
Running time : Around 90 minutes
Director : Ram Gopal Verma
Cast : Urmila Matondkar, Manoj Bajpai, Sushant Kumar
Music : Sandeep Chowta

KAUN : Kept me on the edge of my seat

Kaun stars Manoj Bajpai, who I think is an excellent actor, and Urmila who has done well enough. The film starts off with Urmila, alone at home with her cat for company, scared and nervous, on a rainy, thunderous night. Her parents are out. You kind of get the feeliing that the home is a little away from other human habitation. Anyway, while listening to the news on TV, she hears about this deranged killer (who kills women) roaming around, and gets even more jumpy.

Enter Bajpai, in the role of a mysterious stranger who attracts attention by knocking on the front door (instead of ringing the door-bell), asking to see a Mr. Malhotra. When she refuses, without opening the door, saying that there is no Mr. Malhotra (he’s apparently got the wrong address), he asks to be let into the house. He’s all wet, he says (he’s got his coat pulled over his head) and promises no harm. Frankly gave me the creeps, and Urmila too by the way she acted. His character is pretty unnerving, in that it is of a patient, polite man, wheedling to be let into the house (the usual belligerent hindi film villains scare me no more).

He tries several times, once saying that he’s locked his keys in his car, all to no avail, making Urmila’s character really nervous. She does provide him food though (a sandwich) but won’t let him in. So he doesn’t leave, hangs around and tries watchin her TV through the door/window grille/glass, all the while talkingto her in placid tones, even trying to joke with her at one point. He addresses her as “Madam” all the while, and after a while the “Madam” grates on your nerves.

The lights go out then, and Urmila notices that her cat is dead. OK, just as I am about to despair for Urmila, enter savior police inspector (Sushant Kumar) who tells Urmila that Bajpai is a killer. So, is Urmila safe ? Does the killer get caught ? The rest of the movie reveals all.

This is one of the few good hindi who-dun-its I’ve seen. Urmila plays her role, with just the right touch of paranoia, Bajpai is superb in his potrayal of the never-lose-his-cool psychotic visitor. Sushant Kumar is adequate. There are no songs here, save the title track which plays in the begining. Chowta’s background score is good, and only serves to heighten the suspense. The whole movie is filmed in and around this one house, with only three main players, and it keeps you engrossed (the director knows what he’s doing). This film is a must-see.

P.S. : A little known fact is that Urmila sang the title track of this film.

Posted in bollywood, outstanding, recommended, thriller | 4 Comments