Series Preview : Mirzapur Season 2 (coming October 23rd)

For all of you waiting for the second season of Mirzapur, there is light at the end of the tunnel! This comes to Amazon Prime October 23rd – time enough to binge (again) on Season 1 and remember that it ended on a real cliff-hanger.

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Movie Review : Dolly Kitty Aur Woh Chamakte Sitare (2020)

Rating : 3.8/5
Genre : Drama/Feminist
Year : 2020
Running time : 2 hours 10 minutes
Director : Alankrita Shrivastav
Cast : Konkona Sen Sharma, Bhumi Pednekar, Vikrant Massey, Karan Chandra, Amol Parasher, Amir Bashir, Neelima Azim, Kubbra Siat
Kid rating : A, R
Podcast Review : Here

Dolly Kitty Aur Woh Chamakte Sitare is directed by Alankrita Shrivastav. And because she also directed Lipstick Under My Burkha I had high hopes for this film; couldn’t wait for the 18th!Am glad to say then, that I’m not disappointed. DKAWCS (the title is such a mouthful) is the feminist film of 2020.

The story revolves around two cousin sisters, Radha aka Dolly (Konkona) and Kaajal (Bhumi) who have moved far from home (Bihar) to Greater Noida, Uttar Pradesh. Dolly lives with her husband and 2 sons, and Kaajal has come to stay them, as she works a factory job. Kaajal decides to find her own place, because the brother-in-law is getting a little too touchy-feely. She also manages to quit her job and then, sans the protection of her sister’s home, it’s her and the wild, wild world out there. Meanwhile Dolly didi (as Kaajal refers to her) is also getting tired of pretending to be the happy housewife . . .

Dolly Kitty Aur Woh Chamakte Sitare is the journey of the two sisters as they wend their way around what they have and what they want, and those two things are very different. Those are the two main story arcs, but the film also manages to feature moral policing and general lawlessness, societal misogyny/expectations, double standards, religious discrimination, angsty relationships, low self-esteem, various building scams and the taboo around being gay. Some of those issues feel real – like the scene where Kaajal on a lonely road is heckled by a car full of men, or a slowly sauntering bus and it’s leering bus conductor (brought to mind the Nirbhaya case). But some feel shoehorned in there; I wish the director had chosen a few issues and focussed on them.

While Dolly has her head firmly stuck in the sand, ignoring all the uncomfortable truths around her by buying more and more stuff, Kaajal (or Kitty as she’s known at her new job) makes bolder choices but realizes that being a “bold” women has other consequences. The film also explores female desire and sexuality more than any other recent Bollywood film, which is not saying a lot, but still.

I really liked that the characters seem real, flawed like the rest of us. I really liked that the women in the film had actual conversations about themselves, and their wants and needs. I liked the way the characters grow, and the budding awakening in them that they are people too with desires that deserve attention and fulfillment. I like that the film questions the roles that society relegates women to – mother, wife, daughter – neatly slotted away and left to pasture.

Director Shrivastav could not have chosen better actors – Sen-Sharma and Pednekar are marvelous. And they are ably supported by the men in the film: Massey plays Kitty’s boyfriend, Bashir is Dolly’s husband, Parasher is a delivery-boy who often delivers food to Dolly’s home, and Kundra is a Noida DJ. Neelima Azim is fabulous in a small cameo as Dolly’s unconventional mother.

The film felt slow-paced and missed the twisty, unpredictable turns of Lipstick under my Burkha. As I said the film felt crammed with all the issues the director was trying to highlight. On the flip side, there is so much more telling left to this story, and I would love to have a series full of Dolly and Kitty. Because despite the slow-pace, their lives were so addictive to watch. I wanted to know what they would do, and I was invested in their lives.

Which is essentially why this film is as good as it is. Go watch!

Kidwise: Only suitable for an adult audience – sex, sexual talk, language etc.

Posted in 2020, All Netflix, bollywood, directors, drama, feminism, Good Hindi Movies To Watch, Hindi movies on Netflix, Netflix Recommendations, New Bollywood Movies, passes Bechdel Test, rating-A, rating-R, recommended, social issues, WhaTWON, women | Comments Off on Movie Review : Dolly Kitty Aur Woh Chamakte Sitare (2020)

Podcast Review : Masaba Masaba (2020)

Episode 6 is now live!

In this I review the relatively new Netflix Series Masaba Masaba about a mother-daughter pair, Neena Gupta and Masaba Gupta, living their celebrity lives. Neena is a Bollywood actress and Masaba is a fashion designer, and life is interesting!

To find out what I thought about this series, listen at the links below, or check out the complete list of platforms on this page. If your favorite podcast platform is missing, let me know!

You can also read my review here.

 

On JioSaavn
On PodcastAddict
On Spotify
On iTunes
On Stitcher

Posted in 2020, All Netflix, Amodini's Movie Reviews Podcast, directors, humor, Netflix Recommendations, New Shows on Netflix, podcast, quirky, rating-PG15, real-life-based, recommended, WhaTWON, women | Comments Off on Podcast Review : Masaba Masaba (2020)

Movie Preview : Dolly Kitty Aur Woh Chamakte Sitare (releases 18 September, Netflix)

Dolly Kitty Aur Woh Chamakte Sitare is a tale of two sisters, both finding their lives not going according to plan. This movie stars Bhumi Pednekar, Konkona Sen Sharma and Vikrant Massey, who was in the recent Cargo as well as the excellent 1st season of Mirzapur.

I have high hopes for this film because it is directed by Alankrita Shrivastav; she directed the fabulous Lipstick Under My Burkha and episodes of Made In Heaven.

Posted in 2020, All Netflix, bollywood, directors, drama, feminism, Good Hindi Movies To Watch, Hindi movies on Netflix, Netflix Recommendations, New Bollywood Movies, Previews, recommended, WhaTWON, women | Comments Off on Movie Preview : Dolly Kitty Aur Woh Chamakte Sitare (releases 18 September, Netflix)

Series Review : Masaba Masaba (Season 1)

Rating : 3.7/5
Genre : Drama
Year : 2020
Episodes : 6
Running time : 30 minutes (per episode)
Streaming Platform: Netflix
Director : Sonam Nair
Cast : Neena Gupta, Masaba Gupta, Neil Bhopalam, Rytasha Rathore, Sunita Rajwar, Smaran Sahu, Suchitra Pillai
Kid rating : PG-15
Podcast Review : Here

Masaba Masaba stars Neena Gupta and her daughter Masaba Gupta. And although they have the same names and the same professions as they do in real life – Neena is an actress and Masaba is a fashion designer – the series is fictional and I’ve got to say – good fun.

It is a short series – 6 episodes of about 30 minutes each, and very easily binge-able. Each episode brings up and resolves an issue in Masaba’s life. The good thing about Masaba Masaba is that her problems are not critical, life-threatening ones. Rather they relate to Masaba’s profession, love-life, friendships and her life in general – so kind of fluffy with some substance. Some of the episodes end up imparting life lessons for Masaba – and those she sums up in her prolific Instagram posts – and some don’t. You can think of it as India’s answer to Sex and The City except that there’s only one woman (and her mom) here instead of the 4 friends in that series. In fact Masaba Masaba is way more in the genre of Sex and The City than 4 More Shots Please! which was touted as that but turned out to be tiresome and contrived.

Masaba Gupta, whom I was only aware of as Neena Gupta and cricketer Viv Richards daughter, is in real-life and in this series a fashion designer with strong opinions. As the series starts Masaba is starting to own up to and deal with the fallout from her divorce. Masaba as an actress is confident, although her acting could take some honing. She does go all out on the dramatic bits – she groans a bit much and her eye-roll should be a meme 🙂 but she sure is fun to watch!

Neena Gupta, whom we last saw in the lovely series Panchayat, is in a class by herself. She makes everything better by just being in it, and Masaba Masaba is no different. As Masaba’s mom, support and biggest fan, and as actress Neena Gupta, Gupta gives a sterling performance. Her story track plays second fiddle to Masaba’s but is interesting nevertheless because it deals with potential real-life issues – the ageism in Bollywood, or the fact that there aren’t very many meaty roles available to older women artistes.

Rytasha Rathore plays Masaba’s best friend Gia with panache. And Neil Bhoopalam , whom you might remember from the fabulous NH10 or Shaitan, is fantastic as Masaba’s salt-and-pepper-haired, well-heeled investor, hounding Masaba to keep his investors happy.

I really liked the beautiful mother-daughter relationship in Masaba Masaba. Also lovely was the depiction of Masaba’s friendships, especially with Gia, who is trying to set up her own bar. What makes Masaba Masaba refreshing is the focus on Masaba herself – it is her life, and she’d like to live it on her own terms. Masaba is single by choice but she isn’t dragged down by societal expectations – it does help that she lives in a very stratified atmosphere of rich celebrity, and has a mom, to boot, who made very unconventional and seemingly controversial choices in her own life.

Masaba Masaba is also fresh because we see very few depictions of fancy-free, young women in India enjoying the single life without judgement. There are many films which do bromances well, but hardly any that do womances non-cringily. And it is nice to see a strong-willed, confident, lovely young woman unapologetically march to the tune of her own drumbeat.

Masaba Masaba does not do a deep-dive into its characters, nor does it depict the more serious/unpleasant issues that a Masaba or a Neena would potentially deal with in real life. It is breezy, and keeps its issues strictly at the philosophical level of a K-Jo film. It’s colorful, vibrant and energetic, and boils its essence down into nicely palatable bits about finding love and acceptance within yourself.

A lovely, fun watch – recommended.

Posted in 2020, All Netflix, bollywood, drama, feminism, Netflix Recommendations, New Shows on Netflix, passes Bechdel Test, rating-PG15, recommended, touchy-feely, WhaTWON, women | Comments Off on Series Review : Masaba Masaba (Season 1)

Movie Preview : Cargo (releases September 8th, Netflix)

Desi science fiction films are rare (or non-existent) which is why I’m excited for Cargo. Cargo stars Vikrant Massey and Shweta Tripathi (you might remember her from Raat Akeli Hai), and is directed by Arati Kadav.

The sci-fi is mixed in with some mythology – Massey plays Rakshas Prahastha who works for Post-Death Transition Services and renders his services on a spaceship Pushpak. Producers include Anurag Kashyap (director of Gangs of Wasseypur) and Vikramaditya Motwane (he directed the fabulous Udaan) so this should be interesting.

Posted in 2020, All Netflix, bollywood, Hindi movies on Netflix, Netflix Recommendations, New Bollywood Movies, Previews, sci-fi, WhaTWON | Comments Off on Movie Preview : Cargo (releases September 8th, Netflix)

Podcast Review : Class of 83

Folks, just posted another podcast episode! You know the drill: listen, like, subscribe, advertise 🙂

This time I review Class of 83 which is a crime drama, on Netflix, about an honest police officer (Bobby Deol) trying to do the right thing, despite overwhelming obstacles. You can read the review here, and listen to it at a bunch of places.

Did I mention that the podcast is now also on Saavn and PodcastAddict?

On JioSaavn
On PodcastAddict
On Spotify
On iTunes

Posted in 2020, Amodini's Movie Reviews Podcast, bollywood, crime, drama, Hindi movies on Netflix, podcast, rating-PG15, WhaTWON | Comments Off on Podcast Review : Class of 83

Movie Review : Class of ’83

Rating : 2.5/5
Genre : Crime Drama
Year : 2020
Running time : 1 hours 38 minutes
Director : Atul Sabharwal
Cast : Bobby Deol, Viswajeet Pradhan, Anup Soni, Sameer Pranjape
Kid ratingfollow : PG-15
Podcast Review : Here

Friends were texting me links to the trailer of “Class of ’83” so I had high hopes. Yeah, well, hopes dashed. In short: look elsewhere for your next big watch.

The film is based on a book by crime journalist Hussain Zaidi. Zaidi also wrote the book that Anurag Kashyap’s “Black Friday” was based on. Class of ’83 is set in the 80s and is about the rise of powerful gangsters who have the government bureaucrats in their pocket, rendering the police powerless.

Honest police office Vijay Singh (Bobby Deol, whom I last saw in the nauseatingly average Apne) runs afoul of one such corrupt politician, and is sent on a punishment posting as Dean of the police academy. Once there, he trains a handpicked bunch of officers to “encounter” (kill) gangsters by using legal loopholes and covering their tracks. When the five graduate, they are ready to take on the criminals.

The story looks decently interesting, but the film can’t capitalize on its potential. The first half of the film is spent on Dean Vijay Singh and his academy. We get to see the bonding between the five, but the proceedings are so lackluster that I had difficulty drumming up any interest. Towards the second half the film tries to show us the corrupting influence of the outside world on these 5, but it loses the plot.

The Dean’s character is badly fleshed out and Bobby Deol’s poor acting doesn’t help. The actors playing the five aren’t charismatic to hold interest, although they weren’t bad actors. This kind of police procedural needed a strong screenplay and firm direction. Since both were absent, the later half of the film got kinda muddled.

The film is supposed to have its moment of redemption, after which the good guys get their revenge, but the film can’t make it impactful. I did like the fact that some scenes had a “narrator” – one of the 5 recruits, Aslam Khan, who fills in some of the gaps in the story. The movie also tries to be realistic in some scenes but then completely undermines that effort by making the dialogues filmi and cliched.

All things considered, Class of 83 does not work because we can’t root for any of these policemen or the work they do. The film ends up good in a few sequences but mostly patchy and boring. I’m going to blame director Sabharwal (he also directed Aurangzeb) for this one, although his lead actor didn’t help much.

Kidwise: Violence, sexual allusions. Subject matter is inherently kid-unfriendly.

Posted in 2020, All Netflix, bollywood, book to film, crime, drama, Hindi movies on Netflix, Netflix Recommendations, rating-PG15, WhaTWON | Comments Off on Movie Review : Class of ’83

Podcast Review : Shakuntala Devi

New episode available now! This is now at all listed platforms (Spotify, Apple Podcasts, Stitcher, Google Podcasts etc.) and at JioSaavn! Just search for Amodini’s Movie Reviews and listen!

This one come in under 10 minutes. Ergo 10 minutes = Complete Wisdom. Also Nirvana. FridayNirvana that is 🙂

In the mood for a little light reading today? Check out the written review instead – here it is.

Go listen, review, follow and subscribe !

Posted in 2020, Amazon Prime Video Recommendations, Amodini's Movie Reviews Podcast, bollywood, drama, podcast, rating-G, real-life-based | Comments Off on Podcast Review : Shakuntala Devi

Movie Review : Shakuntala Devi

Rating : 3.5/5
Genre : Bio-pic
Year : 2020
Running time : 2 hour 7 minutes
Director : Anu Menon
Cast : Vidya Balan, Sanya Malhotra, Amit Sial, Jishu Sengupta
Kid rating : G

Podcast Review : Here

The film is based on the real life Shakuntala Devi, as perceived by her daughter Anupama Banerji. Given that slant, director Anu Menon focusses the film on Shakuntala Devi’s familial relationships – her rift-ridden one with her parents and the anger which she directs at her mother, as well as her stormy relationship with her daughter. The film thus comes across less as a film about Shakuntala Devi, the famous mathematician, and more about a mother who happens to be a famous mathematician. It is a narrow interpretation of the lady’s life, and it does gloss over some facts, but it is not an uninteresting film.

Shakuntala Devi, born in poverty, is found to be mathematically gifted at a very young age. Her father takes her to different schools where she demonstrates this ability for monetary compensation. She grows up doing these shows and wowing professors and students alike, although she never actually gets any schooling or college education herself. Later, she moves to London where she gains a mentor and fame, and becomes a rich woman.

She marries Paritosh Banerjee (Sengupta) and sets up house with him, also having a daughter Anupama. The marriage breaks up and strong-willed Shakuntala assumes full custody of Anupama. Anupama is then at the mercy of a controlling (and loving) Shakuntala Devi and grows up resenting her mother for separating her from her father. The latter half of the film shows us this tumultuous relationship and its outcome as outspoken and unconventional Shakuntala tries to woo her daughter back and an adult Anupama (Sanya Malhotra whom we saw in the lovely Badhaai Ho) keeps her at arm’s length.

The film is about mothers and daughters and the mother’s need to be seen as a person in her own right. It uses Shakuntala Devi and her daughter’s tale to make this point so the narrative is kind of fitted into this feminist theme. And yes, Shakuntala Devi’s life is viewed through this limited perspective, which is probably why her character seems a little half-baked and displays conflicts. Shakuntala Devi seemed to be a woman ahead of her time with her unconventional, tradition-flouting views – in one scene she is exhorting her daughter to just have a baby with her boyfriend instead of marrying him – and her empathy for the LGBTQ community. Given her progressive thinking, the film blunders through her reasons for writing her book ”The World of Homosexuals” – and her thought process around that, as displayed in the film, seemed so out of character.

This is not a film about Shakuntala Devi really, even though the title does have her name – it is Shakuntala Devi playing her “womanly” roles – daughter, sister, wife, mother. This is annoying, because I can’t name a single film about a famous male personality where the entire film is framed around personal life rather than accomplishments. Now, because the film does this, it doesn’t really show or tell us Devi’s point of view – she travels the world showcasing her mathematical genius, she takes up astrology, she writes books and even tries to run for office, but we don’t really know how she feels about any of this. Every thought and feeling she does have in the film is about her parents, sibling, husband, daughter, friend, and even for those, we don’t have any insights into her character.

Shakuntala Devi is well-paced. There is some going back-and-forth in time and the narrative does feel choppy. All actors do well – especially Vidya and Sanya who carry this film firmly on their shoulders. Director Menon handles the emotional scenes well – some left me teary-eyed. Also the special effects with the numbers, when Shakuntala is doing her “shows” was very well-done. But the biggest flaw in the film is about the lack of depth for its titular character. I am only marginally wiser about Devi’s life than I was before – she was a bold, bright and outspoken woman who questioned the unequal status of women in society, while living her life exactly as she saw fit. But who was she as a mathematician, a writer, an astrologist or political personality? I don’t know. And that is a pity.

Kidwise: Clean.

Posted in 2020, Amazon Prime, Amazon Prime Video Recommendations, bio-pic, bollywood, drama, family-friendly, Hindi movies on Amazon Prime, rating-G, real-life-based, women | Comments Off on Movie Review : Shakuntala Devi