Podcast Review : Class of 83

Folks, just posted another podcast episode! You know the drill: listen, like, subscribe, advertise 🙂

This time I review Class of 83 which is a crime drama, on Netflix, about an honest police officer (Bobby Deol) trying to do the right thing, despite overwhelming obstacles. You can read the review here, and listen to it at a bunch of places.

Did I mention that the podcast is now also on Saavn and PodcastAddict?

On JioSaavn
On PodcastAddict
On Spotify
On iTunes

Posted in 2020, Amodini's Movie Reviews Podcast, bollywood, crime, drama, Hindi movies on Netflix, podcast, rating-PG15, WhaTWON | Comments Off on Podcast Review : Class of 83

Movie Review : Class of ’83

Rating : 2.5/5
Genre : Crime Drama
Year : 2020
Running time : 1 hours 38 minutes
Director : Atul Sabharwal
Cast : Bobby Deol, Viswajeet Pradhan, Anup Soni, Sameer Pranjape
Kid ratingfollow : PG-15
Podcast Review : Here

Friends were texting me links to the trailer of “Class of ’83” so I had high hopes. Yeah, well, hopes dashed. In short: look elsewhere for your next big watch.

The film is based on a book by crime journalist Hussain Zaidi. Zaidi also wrote the book that Anurag Kashyap’s “Black Friday” was based on. Class of ’83 is set in the 80s and is about the rise of powerful gangsters who have the government bureaucrats in their pocket, rendering the police powerless.

Honest police office Vijay Singh (Bobby Deol, whom I last saw in the nauseatingly average Apne) runs afoul of one such corrupt politician, and is sent on a punishment posting as Dean of the police academy. Once there, he trains a handpicked bunch of officers to “encounter” (kill) gangsters by using legal loopholes and covering their tracks. When the five graduate, they are ready to take on the criminals.

The story looks decently interesting, but the film can’t capitalize on its potential. The first half of the film is spent on Dean Vijay Singh and his academy. We get to see the bonding between the five, but the proceedings are so lackluster that I had difficulty drumming up any interest. Towards the second half the film tries to show us the corrupting influence of the outside world on these 5, but it loses the plot.

The Dean’s character is badly fleshed out and Bobby Deol’s poor acting doesn’t help. The actors playing the five aren’t charismatic to hold interest, although they weren’t bad actors. This kind of police procedural needed a strong screenplay and firm direction. Since both were absent, the later half of the film got kinda muddled.

The film is supposed to have its moment of redemption, after which the good guys get their revenge, but the film can’t make it impactful. I did like the fact that some scenes had a “narrator” – one of the 5 recruits, Aslam Khan, who fills in some of the gaps in the story. The movie also tries to be realistic in some scenes but then completely undermines that effort by making the dialogues filmi and cliched.

All things considered, Class of 83 does not work because we can’t root for any of these policemen or the work they do. The film ends up good in a few sequences but mostly patchy and boring. I’m going to blame director Sabharwal (he also directed Aurangzeb) for this one, although his lead actor didn’t help much.

Kidwise: Violence, sexual allusions. Subject matter is inherently kid-unfriendly.

Posted in 2020, All Netflix, bollywood, book to film, crime, drama, Hindi movies on Netflix, Netflix Recommendations, rating-PG15, WhaTWON | Comments Off on Movie Review : Class of ’83

Podcast Review : Shakuntala Devi

New episode available now! This is now at all listed platforms (Spotify, Apple Podcasts, Stitcher, Google Podcasts etc.) and at JioSaavn! Just search for Amodini’s Movie Reviews and listen!

This one come in under 10 minutes. Ergo 10 minutes = Complete Wisdom. Also Nirvana. FridayNirvana that is 🙂

In the mood for a little light reading today? Check out the written review instead – here it is.

Go listen, review, follow and subscribe !

Posted in 2020, Amazon Prime Video Recommendations, Amodini's Movie Reviews Podcast, bollywood, drama, podcast, rating-G, real-life-based | Comments Off on Podcast Review : Shakuntala Devi

Movie Review : Shakuntala Devi

Rating : 3.5/5
Genre : Bio-pic
Year : 2020
Running time : 2 hour 7 minutes
Director : Anu Menon
Cast : Vidya Balan, Sanya Malhotra, Amit Sial, Jishu Sengupta
Kid rating : G

Podcast Review : Here

The film is based on the real life Shakuntala Devi, as perceived by her daughter Anupama Banerji. Given that slant, director Anu Menon focusses the film on Shakuntala Devi’s familial relationships – her rift-ridden one with her parents and the anger which she directs at her mother, as well as her stormy relationship with her daughter. The film thus comes across less as a film about Shakuntala Devi, the famous mathematician, and more about a mother who happens to be a famous mathematician. It is a narrow interpretation of the lady’s life, and it does gloss over some facts, but it is not an uninteresting film.

Shakuntala Devi, born in poverty, is found to be mathematically gifted at a very young age. Her father takes her to different schools where she demonstrates this ability for monetary compensation. She grows up doing these shows and wowing professors and students alike, although she never actually gets any schooling or college education herself. Later, she moves to London where she gains a mentor and fame, and becomes a rich woman.

She marries Paritosh Banerjee (Sengupta) and sets up house with him, also having a daughter Anupama. The marriage breaks up and strong-willed Shakuntala assumes full custody of Anupama. Anupama is then at the mercy of a controlling (and loving) Shakuntala Devi and grows up resenting her mother for separating her from her father. The latter half of the film shows us this tumultuous relationship and its outcome as outspoken and unconventional Shakuntala tries to woo her daughter back and an adult Anupama (Sanya Malhotra whom we saw in the lovely Badhaai Ho) keeps her at arm’s length.

The film is about mothers and daughters and the mother’s need to be seen as a person in her own right. It uses Shakuntala Devi and her daughter’s tale to make this point so the narrative is kind of fitted into this feminist theme. And yes, Shakuntala Devi’s life is viewed through this limited perspective, which is probably why her character seems a little half-baked and displays conflicts. Shakuntala Devi seemed to be a woman ahead of her time with her unconventional, tradition-flouting views – in one scene she is exhorting her daughter to just have a baby with her boyfriend instead of marrying him – and her empathy for the LGBTQ community. Given her progressive thinking, the film blunders through her reasons for writing her book ”The World of Homosexuals” – and her thought process around that, as displayed in the film, seemed so out of character.

This is not a film about Shakuntala Devi really, even though the title does have her name – it is Shakuntala Devi playing her “womanly” roles – daughter, sister, wife, mother. This is annoying, because I can’t name a single film about a famous male personality where the entire film is framed around personal life rather than accomplishments. Now, because the film does this, it doesn’t really show or tell us Devi’s point of view – she travels the world showcasing her mathematical genius, she takes up astrology, she writes books and even tries to run for office, but we don’t really know how she feels about any of this. Every thought and feeling she does have in the film is about her parents, sibling, husband, daughter, friend, and even for those, we don’t have any insights into her character.

Shakuntala Devi is well-paced. There is some going back-and-forth in time and the narrative does feel choppy. All actors do well – especially Vidya and Sanya who carry this film firmly on their shoulders. Director Menon handles the emotional scenes well – some left me teary-eyed. Also the special effects with the numbers, when Shakuntala is doing her “shows” was very well-done. But the biggest flaw in the film is about the lack of depth for its titular character. I am only marginally wiser about Devi’s life than I was before – she was a bold, bright and outspoken woman who questioned the unequal status of women in society, while living her life exactly as she saw fit. But who was she as a mathematician, a writer, an astrologist or political personality? I don’t know. And that is a pity.

Kidwise: Clean.

Posted in 2020, Amazon Prime, Amazon Prime Video Recommendations, bio-pic, bollywood, drama, family-friendly, Hindi movies on Amazon Prime, rating-G, real-life-based, women | Comments Off on Movie Review : Shakuntala Devi

Podcast Review : Gunjan Saxena – The Kargil Girl

There’s a new podcast episode in town! And it has a New Episode available. Listen to a podcast review of the newly released Gunjan Saxena – The Kargil Girl.

Want the written version? Here it is.

On Spotify
On Apple Podcasts
On Stitcher
On Anchor
On Podcast Addict

Go listen, review, follow and subscribe 🙂

Posted in 2020, Amodini's Movie Reviews Podcast, bio-pic, bollywood, drama, family-friendly, Hindi movies on Netflix, Netflix Recommendations, podcast, rating-G, real-life-based, women | Comments Off on Podcast Review : Gunjan Saxena – The Kargil Girl

Movie Review : Gunjan Saxena – The Kargil Girl

Rating : 3.7/5
Genre : Bio-pic
Year : 2020
Running time : 1 hour 48 minutes
Director : Sharan Sharma
Cast : Janhvi Kapoor, Pankaj Tripathi, Ayesha Raza Mishra, Vineet Singh, Angad Bedi, Manav Vij
Kid rating : G
Podcast Review : Here

Gunjan Saxena is another bio-pic, based on the accomplishments of Flight Lieutenant Gunjan Saxena, the first female IAF officer to participate and excel in wartime activities. She’s also the first female Shaurya Chakra awardeee.

The plot: Saxena is born into an army household and wants to become a pilot. When all her attempts are thwarted, and flying school is too expensive, she applies to and is selected to be an IAF pilot. At her first posting in the Udhampur Air Force Base, she is the only female officer among a sea of men, and faces sexism and discrimination because of her gender. Despite that, Gunjan strives to excel and performs admirably during the Kargil war.

The focus of this film is Gunjan Saxena’s personal struggle to become a successful IAF pilot – thankfully this doesn’t give us a familial angle like Shakuntala Devi! The story is helmed well, showing us how a child’s passion for flying translates to her professional career. I loved the beautiful father-daughter relationship in the film. It is very moving to see the support and love Gunjan gets from her father, especially as she is flying in the face of traditional mores (pun intended), which advocate that Gunjan “settle down” like any other good Indian girl.

The film details out, and gives a lot of screen time to show the discrimination Gunjan faces from her peers and superiors. Showing that is important because the discrimination is unrelenting, she faces it day in and day out, time and again, despite trying her best, working hard and playing by the rules. It shows us her uphill battle and makes her victory, when it comes, more sweet. It shows her resolve and the fact that even though the IAF top brass might think along egalitarian lines and bring in female officers, spreading said egalitarian values to the grassroots level has yet been ineffective. Women who go into such male-dominated fields must grow spines of steel to be successful in them.

The film has some great acting. Pankaj Tripathi as Gunjan’s father, is fantastic, probably his best performance to date, understated yet carrying conviction. Ayesha Raza Mishra and Angad Bedi play her mom and brother respectively, and are effective. Vineet Singh (whom we saw in the fabulous Mukkabaaz) is Wing Commander Dileep Singh, her domineering, unfair boss, who is mostly responsible for the poor treatment she receives – he either engineers or condones it. Singh, who is impeccable in every role he plays is no different here.

The weakest link is Jahnvi. I did like her work in Dhadak, but here, while she brings in innocence and naiveté (owing to Gunjan’s sheltered upbringing) and enthusiasm, she doesn’t quite deliver on the scenes where her resolve and courage must shine through. In the war scenes, where the real Gunjan must have displayed determination, Jahnvi seems tentative and unsure. The real-life Gunjan Saxena must be an extraordinary woman – no ordinary woman could take that terrible, ostracizing sexism thrown at her day-after-unrelenting-day and still manage to stay her course. Unfortunately for Jahnvi (and I do hope she matures and improves) she isn’t able to portray that extraordinariness on screen.

The film is still well-made, and nicely crafted. The story lines and characters are believable and well-rounded. Gunjan Saxena is a good film; I recommend you watch it with your family.

Kidwise: Some depictions of war and violence, but otherwise clean.

Posted in 2020, bio-pic, bollywood, drama, family-friendly, Hindi movies on Netflix, Netflix Recommendations, rating-G, real-life-based, WhaTWON, women | Comments Off on Movie Review : Gunjan Saxena – The Kargil Girl

Introducing Amodini’s Movie Reviews Podcast

I am very excited to announce the new Amodini’s Movie Reviews Podcast! The podcast is currently available on Spotify and Anchor and will soon be on other platforms as well. There are currently 2 episodes – the first introductory one, and the second a review of the movie Raat Akeli Hai (you can read the review here)

Listen, subscribe and leave reviews! 🙂

Here’s a list of other platforms you can listen on.

You can also listen on the embedded players below:

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Movie Review : Raat Akeli Hai

Rating : 4.1/5
Genre : Mystery
Year : 2020
Running time : 2 hour 29 minutes
Director : Honey Trehan
Cast : Nawazuddin Siddiqui, Radhika Apte, Ila Arun, Shivani Raghuvanshi, Nishant Dahiya, Aditya Shrivastav, Tigmanshu Dhulia
Kid rating : PG
Podcast Review : Apple Podcasts, Spotify

Inspector Jatil Yadav (Siddiqui) of Kanpur is investigating the murder of Raghubeer Singh – a rich old man with political aspirations. On the night of his wedding to his mistress (Apte), Singh, still dressed in wedding finery, is found shot and bludgeoned to death in his own bed. As Yadav peels back the layers, he discovers that the Singh was not a much-loved man. Raghubeer Singh had a large family – siblings, nieces and nephews, but no one seems to be too upset at his death. Yadav’s search for the truth gets more difficult when he runs into powerful political roadblocks, with his own boss SSP Shukla (Dhulia) advocating caution; this is a connected family with secrets to keep.

Raat Akeli Hai comes across as true-blue murder mystery – almost like Agatha Christie’s works. Everyone’s a suspect. There are motivations galore, slumbering jealousies and distrust. The film keeps things interesting by introducing us to various personalities – it is a large household and each of the household members has had a different relationship with the dead man.

Inspector Yadav, like Poirot, has his quirks. He is a bachelor and his mother (played by the magnificent Ila Arun) is frantic to get him married – she goes around showing his photograph to random, pretty women at weddings, and thinks he looks no less than Ajay Devgan with his sunglasses on 🙂 . Yadav , meanwhile realizes he has an affinity towards Radha, Singh’s mistress-turned-newly-minted widow.

Raat Akeli Hai has an excellent star cast. There is Nawazuddin Siddiqui of course playing Jatil Yadav with such grace and ease that you can’t help feeling for the poor sod. Radhika Apte plays Radha beautifully – she is a suspect in the murder but see-saws convincingly between exuding innocence and street-smarts. Then there is Ila Arun, his nosy, pushy mom who means well. There is Shivani Raghuvanshi (we saw her in the fabulous series Made In Heaven) and Nishant Dahiya (he was one of the leads in the cute teenie-bopper romance Mujhse Fraandship Karoge). The lovely Shweta Tripathi has a smaller role as Raghubeer Singh’s daughter – you might remember her as earnest Dr. Shreya from Season 2 of Laakhon Mein Ek.

The film is an engrossing, well-paced mystery, with an engaging lead and suitably mysterious characters. I liked that the film explores the characters just enough – not too little detail, not too much, just enough to keep things interesting. Some great acting rounds off this well-done film. Director Trehan makes an excellent debut as a full-fledged director in his own right – I will look out for more of his work. Mysteries are hard to create anyway, and given that we have a drought of them in Hindi cinema (the last well-done whodunit I remember was Manorama 6 feet under) makes Raat Akeli Hai an invaluable addition.

Highly recommended.

Kidwise: Some violence, partial nudity.

Posted in 2020, All Netflix, bollywood, crime, dark, directors, drama, Hindi movies on Netflix, mystery, Netflix Recommendations, rating-PG, recommended, suspense | Comments Off on Movie Review : Raat Akeli Hai

Movie Preview : Raat Akeli Hai (releases 31st July, 2020)

All hail the whodunit!

A great cast – Nawazuddin Siddiqui, Radhika Apte, Shweta Tripathi (she was spectacular in Laakhon Mein Ek), Shivani Raghuvanshi (we’ve seen her in the marvelous Titli and Made In Heaven) among others. Honey Trehan debuts as director here after a long spell as Casting Director.

Posted in 2020, All Netflix, crime, drama, Hindi movies on Netflix, Netflix Recommendations, Previews, suspense, thriller | Comments Off on Movie Preview : Raat Akeli Hai (releases 31st July, 2020)

Movie Review : Kumbalangi Nights (2019)

Rating : 4.1/5
Genre : All-In-One
Year : 2019
Running time : 2 hour 15 minutes
Director : Madhu C. Narayanan
Cast : Shane Nigam, Soubin Shahir, Anna Ben, Fahadh Faazil, Sreenath Bhasi, Matthew Thomas
Kid rating : PG

Kumbalangi Nights is about 4 brothers – Franky (Thomas), Bobby (Nigam), Boney (Bhasi) and Saji (Shahir) – in Kumbalangi, a small fishing village in Kerala. Their father is no more and their mother has left home. The brothers live in a ramshackle, half-built home on the river banks and get by with odd jobs and fishing. They don’t really get along with each other though, and there are frequent physical and verbal squabbles. However they band together to stand by Bobby when he falls in love with Baby (Anna Ben), and her family, particularly her smarmy brother-in-law (Faasil), is against the match.

I watched Kumbalangi Nights because it came up in my recommendations on Prime, it has a high rating on IMDB, and it stars Fahadh Faasil who was also in Bangalore Days. It is very different from that movie and starts off a tad slow – which builds atmosphere and you get to see what the characters and their lives really are like – but still.

Patience is rewarded though because the film build beautifully with some finely-done, feeling-infused scenes. The pace is easy-going and the film flows from moment to moment naturally, and you begin to care about the characters – not just Bobby who’s trying his best to be with Baby – but all the brothers, each of whom has his own sets of issues to work through. The end is unpredictable and offers a resolution I didn’t see coming.

The acting is fabulous and the setting and the characters feel real. Fantastic writing, and some superb cinematography round off this lovely film. I’m not really familiar with Malayalam music but the film’s music was melodious and pleasing. Kumbalangi Nights is one of those charming, almost lyrical films which you remember long after watching it for it’s spirit and affability and all the good emotions you associate with love and family.

Kidwise: Clean. Some violence shown on screen.

Posted in 2019, Amazon Prime Video Recommendations, coming of age, drama, family-friendly, feel-good, Hindi movies on Amazon Prime, malayalam, rating-PG, recommended, romance | Comments Off on Movie Review : Kumbalangi Nights (2019)