The Road Home

The Road Home which is written and directed by Rajiv Gandotra is a short feature, approximately 20 minutes in length. As it’s main character, it has Pico Kapoor (Arrun Harker), a boy of about eight or nine of Indo-British descent. We never do see his parents, since he has been placed in the Woodstock boarding school in Mussoorie, India. As Pico tells us, his father has placed him here because it will help him in getting into the London School of Economics, and then Oxford ! Typical desi parent 🙂 !

Pico has a British accent and considers himself British not Indian, refusing to acknowledge his Indian roots. Faced with antagonistic school boys who deride him for refusing his Indian heritage, Pico runs away from school, and tries to reach New Delhi to fly back to England. In the course of his journey he meets a taxi driver, and a foreign tourist who try to persuade the boy to accept who he is. Does Pico return home (wherever that might be) ?

Now, the topic of this film was very interesting for desis, since we are all of Indian descent, some 1st gen, some second, with American born kids, whom we are striving to inculcate with our heritage (if you make the weekly trip to the local desi culture school, raise your fist and say “Yeah!”). Who we are and where we are from is a difficult question to answer especially in this world of melding physical boundaries. Nevertheless, it is amazingly important to me to have my kids appreciate the Indian way of life and the culture, warts and all (and there are warts, people !), so this is a film I watched with interest.

It is quite a beautiful film, with well-sketched characters. Acting-wise it was not all that, although most of the actors were passable and Harker was pretty good. Wielding the directorial reins, Gandotra does make his point, and does so effectively. The pace and story of the film suited the length, and the film was engaging. If you get the chance, this film is well worth the watch.

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Mini reviews : Date Night, Killers & Smart people

As you can probably tell I watch a lot of films :-). I can’t always keep up with reviewing each and every film in lengthy detail, so am going with this mini-review idea.

Date NightDate Night (2010) : 4/5
This one was a cute, funny film about a couple (Steve Carell and Tina Fey) who caught in the humdrum of kids and middle-class life manage to get out by themselves on what is to be a romantic date-night. Trying to get a table at a talk-of-the-town restaurant, and roundly rebuffed, they “steal” some no-show couple’s reservation. Passing themselves off as people they’re not, they get the table allright, but soon are escorted off by goons who think they actually are the other couple. A whole world of trouble awaits . . .

Fey and Carell are laugh-out-loud funny, and the story veers into unexpected corners, which kept up the interest and the charm.

KillersKillers (2010) : 3.5/5

I’d expected better, which is why the rating isn’t 4. Ashton Kutcher(Spencer) and Katherine Heigl (Jen) star as a couple in love. Kutcher is handsome and gun-toting – CIA see ? Of course his wife has no idea, so when he starts to get targeted by some very intent killers (there’s a bounty on his head, apparently), she is quite taken aback. Of course she gets into the swing of things . . .

An entertaining film, although not quite as smart as it could have been. Heigl is her usual simpering self, and her Jen is quite in awe of Spencer’s “physical, godlike perfection”. Spencer is glib and handy with a gun, and the duo must try to run as the most unexpected people come after them.

Smart PeopleSmart People (2008) : 4/5

Dennis Quaid is staid, widowed Professor Lawrence Wetherhold with a grown-up son and daughter. His son is kind-of aloof, and he doesn’t quite get his daughter (Ellen Page). Life is trundling along when two new people enter his life. Wetherhold has to go the ER where he meets Dr. Janet Hartigan (Sarah Jessica Parker), a former student of his who is still smarting from the bad grades he gave her. Also his adopted brother Chuck (Thomas Haden Church) decides to move in with him. Things happen.

Yes, this film is kind of predicatable, but it is also soft, sweet and sentimental. The characters here are fragile and developed well. A satisfying watch, I’d seen this on Netflix Streaming, although it doen’t appear to be available for Streaming anymore (some kind of rotating schedule ?).

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A musical month

September had both Asha Bhosle and Lata Mangeshkar’s birthdays (quite a spate of birthdays, really !). Both accomplished singers, the two sisters celebrated their birthdays on the 8th (Asha – she turns 77) and the 28th (Lata – she turns 81). Here are a few favorite songs which probably wouldn’t have sounded as good in anyone else’s voice. In the first, the fabulous Rekha from the film “Umrao Jaan”, given voice by Asha Bhosle :

And here, a very young Amitabh and Jaya Bhaduri in “Abhimaan”, which was a fantastic film by itself. Lata’s songs only added to the charm.

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Movie Review : Udaan

Rating : Excellent (4.5/5)
Genre : Drama
Year : 2010
Running time : 2 hours 15 minutes
Director : Vikramaditya Motwane
Cast : Rajat Barmecha, Ronit Roy, Ram Kapoor, Ayaan Boradia
Kid rating : PG-15
UDAAN : WELL-DONE COMING-OF-AGE DRAMA

Udaan starts of with a bunch of youngsters sneaking away from their boarding school (Bishop Cotton in Shimla) to go watch a film in the local town. They are caught and expelled, and Rohan (Rajat Barmecha) the hero of this film, returns after eight years to a father he hasn’t seen in a long time. Reaching home to a cold reception, motherless Rohan finds that he now also has a six year old step-brother, Arjun (Boradia) the issue from his father’s second failed marriage.

Rohan’s authoritarian father Bhairav Singh (Ronit Roy), is a cruel task-master and enrolls artistically inclined Rohan into an engineering college, and also makes him work part-time at his factory. The only light in Rohan’s blighted life is his childless Uncle (Ram Kapoor) and Aunt, who attempt to give Rohan and Arjun the parental love their biological father seems devoid of. Deriding and mocked by his father for his dreams of being a writer, which in his book is akin to being a loser/wimp/unmanly, it looks like Rohan is caught in an unending nightmare, his escape blocked by concerns for his little brother. Will he ever have the courage to break out ?

This is a very moving film because it puts out plainly on screen our inner selves and the desire to be appreciated and applauded by our first role-models, our parents. Faced with a cruel parent, and placed in an unsupportive environment, the protagonist must find the courage and the gumption to do the right thing. And really, what a difficult thing it is to even think of defying a parent, that hallowed being whom we are socialized to look upto and obey, especially in the Indian context.

Motwane directs deftly and manages to portray Rohan and Arjun’s story very poignantly. This is a difficult taIe to tell without appearing to take sides, and Motwane does even out the scales by giving us glimpses into Bhairav Singh’s life and the events that have turned him into what he now is. The film explores an abusive environment, as Rohan’s father goes from appearing “strict” to tipping the scales at cruel. Since we are basically dealing with children in this film (Rohan is 17 on the verge of becoming an adult, while Arjun is only 6), and issues with kids being the tear-jerkers that they are, the director must walk a fine line in portraying emotion without making a it a soppy tear-fest, and appearing to milk the innocence of children, and I am happy to report that Motwane does pass muster. I must also applaud the script and screenplay, since both are of superb quality and help make this film what it is.

A great part of the film of course are it’s actors, and here we have a few accomplished ones. Barmecha, as Rohan, is a fine actor as is Boradia as little Arjun. Ronit Roy returns to the big screen again as bitter Bhairav Singh, and Ram Kapoor plays his supportive chacha’s role to the hilt. The film has Amit Trivedi’s soulful music and some great spoken poetry, all of which contribute to the experience.

I watched this film at the Indian Film Festival of Houston, but this is available via Netflix, through mail, and as of 9/28/2010 to stream. Do not miss Udaan; if there is one Hindi film that you do watch this year, this should be it (and the last time I said this, it was of “Manorama six feet under”).

Kidwise : Not recommended for younger kids, since it has unsuitable language and situations.

Posted in 2010, All Netflix, bollywood, drama, film festival, Hindi movies on Netflix, outstanding, rating-PG15, recommended, social issues | Tagged , | 7 Comments

Tales from the festival (or at the IFFH 2010)

As you all know, the 2nd Indian Film Festival of Houston was held the past weekend. Here’s a short review of what went on.

It was quite interesting attending. I am so glad that they had film screenings on Saturday too, because weekdays are just so impossible. Anyway, thought it well organized although a bit lacking in the marketing/buzz department. The festival had dismal attendance, I thought. The impression of “festivals” is that they screen arty, intellectual stuff unsuited for “normal” people like us, although that is not the case. Granted that if you are a fan of “Partner” or “Singh is Kinng” the festival may not be to your taste, but for decent, quality-based films, we do need to get the word out on events like this.

It would help if folks knew about the films to be screened, and more people were informed. I saw an advertisement in an Indian newspaper, but there wasn’t much news of this via radio/TV. I gather that they are kind of small right now, and a non-profit to boot, so not sure of the funds they have to get on TV and toot their horn. But desi Houston radio would have been a viable option, what with the directors being in Houston – a few interviews would have gotten the buzz going.

I’d intended to see the short on Shahrukh’s life and then Udaan, since you had to buy a package of 2 films. But as it happened films were clubbed together, that is you bought a ticket for 2 films which would play one after another in the same theater. And they wouldn’t allow you to switch theaters, so I ended up watching “The Road home” and “Udaan” (reviews coming soon – watch this space !)
It worked out fairly well, since “The Road home” was a short of 20 minutes, and then we finished up our dinner (this is the Studio Movie Grill) and Udaan started soon after. After Udaan finished, the film’s director Vikramaditya Motwane was at hand to answer a few questions, which was fantastic, since the crowd loved the film.

In reply to the questions coming his way, Motwane said that he’d written the film seven years back, but had only recently received funding to make it. And isn’t that a pity – here’s this talented man with a great script, and he can’t get funding ! The events in the film were based on some of his own life events, as well as inspired by his father and friends’ experiences. Asked about a sequel, Motwane said that he wasn’t immediately interested in making one, although a sequel in a couple of years wasn’t ruled out. When I asked him whether he would be getting into commercial cinema, he said that Udaan was commercial cinema, put Ajay Devgn in the film and it will be commercial. He also said that the poems in the film, which I thought were beautiful, were written by a couple of his friends.

All in all, a pretty well-spent evening, and the food, which was an after-thought for us, wasn’t bad either.

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Upcoming Films : October 2010

Two animated features slated for release this month. Plus the carry-overs from last month, i.e.; Anjaaan-Ankaani is releasing today, instead of last Friday. Am looking forward to Tigmanshu Dhulia’s “Paan Singh Tomar”.

Release Date Film Title Genre Director Actors
Oct 08 Lava Kusa Animated Dhavala Satyam Unknown
Oct 08 Do Dooni Chaar Drama Faisal Habib Rishi Kapoor, Neetu Singh, Archit Krishna
Oct 08 Crook Drama Mohit Suri Emraan Hashmi, Neha Sharma, Arjan Bajwa
Oct 15 Knock Out Action Mani Shankar Sanjay Dutt, Kangana Ranaut, Irrfan Khan
Oct 15 Ramayana – The Epic Animated Drama Chetan Desai Manoj Bajpai, Juhi Chawla, Mukesh Rishi
Oct 15 Jhootha Hi Sahi Drama/Romance Abbas Tyrewala John Abraham, Pakhi Tyrewala, Madhavan
Oct 15 Aakrosh Drama Priyadarshan Ajay Devgan, Akshaye Khanna, Bipasha Basu
Oct 15 Dunno Y . . . Na Jaane Kyun Drama Sanjay Sharma Aryan Vaid, Kapil Sharma, Maradona Rebello, Zeenat Aman
Oct 22 Allah Ke Banday Drama Faruk Kabir Naseeruddin Shah, Sharman Joshi, Faruque Kabir
Oct 22 Rakta Charitra Action RamGopal Verma Vivek Oberoi, Radhika Apte, Shatrughan Sinha
Oct 22 Paan Singh Tomar Drama Tigmanshu Dhulia Irrfan Khan, Mahie Gill
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Movie Review : The Expendables

The Expendables“The Expendables” is Sylvester Stallone’s artillery heavy macho fest about a bunch of guys, a plane and lots of guns. Mercenaries for hire, this gang is lead by Barney Ross (Stallone). Lee Christmas (Jason Statham) is his right hand man. Ying Yang (Jet LI) and Gunner Jensen (Dolph Lundgren) bring up the rear. And Mickey Rourke plays Tool, an old friend and ex-gangmember who bides his time as a tattooing artist these days.

Ross, who is a principled gangster (ah ! nostalgia !) almost refuses Mr.Church’s (Willis) offer to overthrow an island’s dictator, General Garza. However while scouting out the island of Vilena, Ross meets a girl who is passionate about freeing her people from the General’s rule, and changes his mind. So he sets out of on a mission and his gang follows. Do they succeed in their unholy war ?

This film is a true Stallone product. It’s got brute force, guns and lots of gore. Bullets feature in almost every frame of the film. It’s also quite old-fashioned in the sense that technology doesn’t seem to exist except in those ultra-modern guns strewn about the sets. Ross and his men seem to function quite well on the impromptu plan, which is to barge in and shoot everything in sight. So yes, it’s good old brawny bluster, presented in Sly’s own inimitable style.

It was pretty clear what this film offered up; there were no pretensions to anything cerebral, or technological (for this band of mercenaries time seems to have stood still). And yes, it is clichéd, ham-headed drama, very been-there-seen-that. Even so, this is a decent watch, although the popcorn does run out after a while, and you sit there bereft wondering if there’s anything besides the action holding up the film. There isn’t. Watch this for 2 hours of mindless, zone-out, get-your-80s-fix kind of masala.

Posted in 2010, action, english, hollywood, watchable | 1 Comment

Indian Film Festival Houston : 2010

Japanese WifeCooking with Stella - Movie Poster - 11 x 17Wow, it’s been a year ! An year already! It’s September and here’s the Indian Film Festival back again. I blogged about this last year at almost the same time, and here we are again. I’m glad they’ve kept it going; here’s to one more filmi tradition in the making!

The Festival started the 22nd, is currently ongoing, the last day being Sunday the 26th of September. The film selections are interesting and reasonably priced; $15 for two films – 1 short/documentary and 1 feature. And it’s at the Studio Movie Grill, where you can eat while watching your movie.

See you there !

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A.R. Rahman’s “Jai Ho” concert in Houston

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Rahman’s “Jai ho” concert finally came to town this past Friday September 17th. It had been originally scheduled earlier in the year, but due to an accident on stage in Detroit, they had cancelled all the remaining shows and rescheduled for September. Held in the Toyota Center in downtown Houston, the show here was well worth it.

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Firstly they immediately got down to business. And by that I mean that they didn’t waste much time thanking one another; there was a short emcee routine, and then that was it. The show started. The first few numbers were kind of low-key and I remember thinking that if this is how it was going to be, getting some cheese nachos to chomp on might not be such a bad idea. Well, then it ramped up, and the 2.5 hours passed rather quickly.

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Now, Rahman is basically a composer and a singer although I’d say he is better at the first. He also seems fairly modest, and on the songs that he was not singing seemed content to walk around playing an instrument (an electronic keyboard/guitar) slung around his neck. Accompanying him were singers Hariharan, who has this beautiful, strong, sonorous voice, and Javed Ali, Benny Dayal, Blaaze, Shweta Pandit, Neeti Muhan. All of them were pretty good, and energetic – they danced and sang, which is pretty hard to do simultaneously.

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And then there was the presentation of the show. Since this was a “singing” show and there was no film star around, you’d think it’d require some creative thinking to keep it alive. But keep it alive they did. They were dancers for most songs – some desi and some non-desi. Then there were the lighting effects and the props, which were most creatively used. The stage had this movable staircase which the singers sat upon (like for a jugalbandi session) , and it could come apart, rise up or down as required. Very interesting.

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The stage had a large sheer curtain upon which images were projected. And Rahman did a duet number with Lata Mangeshkar, who’s image was projected on the curtain – quite spectacular.

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The stage also extended into this half-moon ramp walkway which the performers walked upon, so they seemed to be in the middle of the audience.

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Movie Review : Salt

SaltMeet the female version of James Bond, CIA agent Evelyn Salt, Angelina “Pouty-Lips” Jolie in her “anything-Bond-can-do-I-can-do-better” (and in a skin-tight, pencil skirt, no less !) avatar. On a routine day at the Agency, Salt is getting ready to celebrate her marriage anniversary with her husband, when she is called in for a last minute meeting. A Russian agent has information for the CIA, and the information is that the CIA has a Russian mole, a mole who works under the name of Evelyn Salt.

Salt flatly denies the accusation, but finds her colleagues skeptical. Refusing to turn herself in until the matter can be investigated, and believing herself and her husband to be in immediate danger, she goes on the run. Now she must thwart both her ex-colleagues and others to do what she must . . .

I didn’t go into this film expecting reality based drama, and I didn’t get it. It does fulfill it’s promise of being an out-an-out action film, starring a heroine unfettered by the Laws of Physics like us mere mortals. So high above the city, Salt perches and walks upon narrow windowsills, jumps from one vehicle to another, and blasts her way through to her goal, all the while managing to look beautifully made-up, glossy-haired, and smartly trench-coated. More power to her !

Angelina does look a tad frail bringing down huge chunky villains, however it is to her credit that the film is as entertaining as it is. This is her film and she brings the oomph, as well as a grim determination of a woman-on-a-mission, to her role. An engrossing and thrilling ride, this masala, Total Time Pass flick, is a must see. And yes, don’t forget the popcorn on the way in.

Posted in 2010, action, english, hollywood, thriller, watchable | 1 Comment