Movie Review : Lakshya (2004)

[amazon_link id=”B000V79ROM” target=”_blank” container=”” container_class=”” ]Lakshya[/amazon_link]
Rating
: 4.2/5
Genre : Drama
Year : 2004
Running time : 3 hours 7 minutes
Director : Farhan Akhtar
Cast : Amitabk Bachchan, Hrithik Roshan, Preity Zinta, Boman Irani, Om Puri, Lilette Dubey, Sonu Sood, Sushant Singh, Ranvir Shourey, Parmeet Sethi
Kid rating : PG

This 2004 film was Farhan Akhtar’s second directorial venture after “Dil Chahta Hai“. DCH is a hard film to better but with Lakshya, Akhtar came pretty close. The film is kind of a coming of age story. In it our hero, a young and easily influenced Karan Shergill (Hrithik Roshan) is trying to find his goal in life.

Karan is a rich young man unsure of what he wants to do in life. He is swayed easily – a follower in other words – at first by friends who want to go the US for further studies, and then by a friend who decides that the Army is it for him. The friend changes his mind, but Karan, in a fit of pique enrolls in the Army anyway, much to the chagrin of his critical father. Softened by his rich living, Karan finds it hard to adjust to the disciplined life of a cadet in training, and decides to call it quits after a while. In short, he scampers over the compound wall on the sly, and returns home.

His mother welcomes him home but his father is convinced that no-good Karan did exactly what he had predicted – quit when the going got too hard. Also, Karan’s smart and articulate girl-friend Romila Dutta (Preity Zinta) breaks off with him once she realizes that loverboy is a lazy quitter. Karan is aghast – now he’s really done it. His reputation – such as it was – has plummeted further. But will he have the guts to turn a new leaf?

The film plays out in flashback, so you will have the answer to that question in the very first scene :-). Re-watching this film recently, via Netflix, I realized that I didn’t remember it very well. There were a bunch of actors I didn’t recall seeing earlier, or maybe it was that they weren’t that well known when the film first released. A skinny Ranvir Shourey plays a sardar jawan. Sonu Sood is a fellow officer as is Sushant Singh. Veteran OmPuri plays the experienced-in-war Subedar Major Pritam Singh. Amitabh Bachchan, ofcourse, is the Commanding Officer. And does he command!

This film is well-done – the acting, scripting, direction and music all come together to form a great package. The one thing that was odd were the hair styles of the lead actors – Preity had a mullet like cut framed with ringlets, and Hrithik’s seemed like a wig – neither of them did the otherwise handsome actors any favors. Hrithik, probably the best male dancer in the industry, performs an outstanding dance number “Main Aisa Kyun Hoon” in this film. In it, there is a sequence with Hrithik surrounded by multilple mirrors, and I recall a Farhan Akhtar interview where he talks about the difficulties of filming Hrithik reflected in the mirrors without filming the camera’s reflection also. Watch :

Kidwise : Scenes of war, but otherwise family-friendly.

Posted in 2013, All Netflix, bollywood, drama, family-friendly, Hindi movies on Netflix, rating-PG, recommended, romance | Comments Off on Movie Review : Lakshya (2004)

Death by Movie : The Return of Himmatwala (2013)

I’m sure we are heading for the Big Bang. The world will end soon y’ll – Himmatwala is back in a new and updated avatar. Why, oh why, must film-makers rehash ghastly movies ? As if the original wasn’t bad enough, here you have a remake, with Ajay Devgun and Tamanna Bhatia. Atleast the 1983 version had Dancing Jeetu. This one has Devgan – yes he of the two-left feet fame. I know you can’t tell, but he really is grimacing in the song below. Torture it is, for him and for us.

And just for comparison, here’s the original song with Jeetendra and a chubby Sridevi (these were her bachpan ke din, remember?). The sets are eerily similar, right upto the hundreds of extras gadding about, all dressed in bright, primary hues (I’m starting a migraine). The heroine’s dress designer has an Amar Chitra Katha hangover, note the abundance of jewellery and the Amrapali dresses. Thirty years on, Tamanna’s outfits seem to be the same as Sridevi’s – these Bollywood types are sure taking the recycle-reuse thing seriously! The hero of course comes from the modern world, i.e.; trousers and jacket – women be damned to apsara-dom. Ajay has the better deal me thinks, because he has the pink swan to ride on, AND the natty sunglasses. You agree?

Himmatwala 2013 hits theaters late March. Don’t even saunter nearby; you have been warned.

Posted in 2013, All Netflix, bollywood, cringe-worthy, ecstatically stupid, Hindi movies on Netflix, Previews, remake | 6 Comments

Movie Review : Kai Po Che

Rating : 3.8/5
Genre : Drama
Year : 2013
Running time : 2 hours 6 minutes
Director : Abhishek Kapoor
Cast : Sushant Singh Rajput, Rajkumar Yadav, Amrita Puri, Amit Sadh, Manav Kaul, Asif Basra
Kid rating : PG-13

Kai Po Che is a story of three friends . Old hat, you say, didn’t we already see that in Dil Chahta Hai , Rang De Basanti, 3 idiots and Zindagi Na Milegi Dobara? Yes, you did. You did. But Kai Po Che is different, and frankly exceeded my expectations. Directed by Abhishek Kapoor (of “Rock On” fame) this movie is based upon Chetan Bhagat’s “The 3 Mistakes of My Life”.

Ishaan Bhatt (Sushant Singh Rajput), Govind Patel (Rajkumar Yadav) and Omkar Shastri (Amit Sadh) are fast friends, with dreams of breaking out of the stolid middle class they are born into. The brains of their operation (and their sports shop/coaching center) is the business-smart Govi. Omkar brings in financial help while high-strung Ishaan is the sportsman who helps run the coaching for budding athletes. Their friendship will be tested as political, moral and philosophical ideologies strive to pull them apart.

Kai Po Che is set against the backdrop of simmering religious tensions in Gujarat, and seems to naturally draw from the historical events of that time. Director Kapoor does a nice job of portraying middle class life, and gives believable flourishes even to the lesser characters. I enjoyed the look and the feel of the film – the locales, dialogues and sensibility of the film feels organic, and all the actors are well-cast.

Sushant Singh Rajput is well-known television actor and does well in his debut film, although there were certain moments where I thought he hammed it up a bit. He is good, but does seem a little frail for single-hero films. Amit Sadh also relatively new to films, plays the easily-swayed Omi. Nicely done! But the actor I was most impressed by was Rajkumar Yadav. We saw him last in Talaash, where he gave a subtle, measured performance as Amir’s second-in-command Devvrath Kulkarni, and in Gangs of Wasseypur I. Here, his role is of pacifier-in-chief. The dependable, responsible one of the three friends, it is up to him to steer the business and the friendship to clearer shores. Amrita Puri, as Ishaan’s sister, and Govi’s love-interest Vidya, is a delight to watch. She caps her fine performance in Aisha with an even more impressive performance here.

The film starts off slowly and quickly transitions to a flashback. I did think that the pace pre-halftime was a bit meandering. As tensions mount and the film hurtles towards surefire destruction – the religious riots are at their peak and our boys are caught in the thick of it – the pace picks up and you are engrossed.

Kai Po Che gives us a bit of everything – there is romance and rancor, friendship and hatred, emotional drama, song and dance. I did enjoy this entertaining film although it lacked a certain oomph. It felt like small-screen drama on the big-screen, like a very well-done television show. Still it is a clean, honest effort and a very worth-while watch. Recommended.

Kidwise : One of the few films without an item number – whew! Fairly clean as far as depictions of women/innuendo laden dialog is concerned. There are depictions of the Gujarat riots, men with swords rampaging and killing, religious hate speech. The film is probably safe for 13+ aged kids.

Posted in 2013, All Netflix, all-in-one, bollywood, book to film, Hindi movies on Netflix, rating-PG13, recommended, social issues | 7 Comments

What to Watch on Netflix : Edition #7

[amazon_link id=”B007EMCAFA” target=”_blank” container=”” container_class=”” ]The Hidden Face (La Cara Oculta - English Subtitled)[/amazon_link]- The Hidden Face (Spanish with subtitles) : An atmospheric mystery about a music conductor and his missing fiancee. Engrossing and intriguing this unpredictable thriller is a must-watch.

– Heartbreaker (French with subtitles) : This film has a storyline very similar to Bollywood romantic comedies. Our  floppy looking hero is a facilitator of sorts although his methods are a tad unconventional. Vanessa Paradis (remember her from her chart-topper single “Be My Baby”?) plays the rich heiress our hero must woo to complete his assignment. An entertaining light-hearted watch, this one!

– The Whistleblower : Rachel Weisz stars as Kathy, a police officer who takes up a UN peace-keeper job and is sent into Bosnia, where she tries to expose the rampant corruption and human trafficking, and attempts to breakup the evil nexus between fellow officers, foreign contractors and local mafia. The film is based on real life events.

[amazon_link id=”B000EBD9VC” target=”_blank” container=”” container_class=”” ]Under the Greenwood Tree[/amazon_link]- Lakshya (Hindi, unsubtitled) : This 2004 Hrithik Roshan, Amitabh Bachhan starrer has our lazy, aimless, rich kid hero Karan Shergill meandering about trying to find his calling in life. Preity Zinta plays his smart, articulate girl-friend who can’t countenance Karan’s easy-going, chalta-hai attitude.

– Under the Greenwood Tree : A romance to please lovers of historical dramas (Downton Abbey etc.) this BBC production stars Keeley Hawes as the new-in-town school mistress. She has three suitors, but finds herself in love with the most unsuitable of them.

Posted in 2013, bollywood, foreign, mini-reviews, movies online, Netflix Recommendations, romance, thriller, WhaTWON | Comments Off on What to Watch on Netflix : Edition #7

Movie Review : Special Chabbis (Special 26)

[amazon_link id=”B00B1YJ7NA” target=”_blank” container=”” container_class=”” ]Special 26[/amazon_link]

Rating : 3.8/5
Genre : Drama
Year : 2013
Running time : 2 hours 23 minutes
Director : Neeraj Pandey
Cast : Akshay Kumar, Anupam Kher, Manoj Bajpayee, Jimmy Shergill, Kishore Kadam, Rajesh Sharma, Divya Dutta, Kajal Agarwal
Kid rating : PG

Ajay Singh or Ajju(Akshay Kumar), P. K. Sharma (Anupam Kher), Iqbal (Kishore Kadam) and Joginder (Rajesh Sharma) are a group of conmen, who masquerade as CBI/Income tax officials and “raid” homes and businesses of rich politicians and businessmen. Waseem Khan (Manoj Bajpai) is a real CBI agent who is given the task of catching the four. Khan is a shrewd officer, who wants to catch the conmen in the act. When he gets help from Sub Inspector Ranbir Singh (Jimmy Shergill) who has seen the four, his investigation gets a boost and he is able to lay an elaborate trap for Ajju and his gang. It seems that wily Ajju might be spending the rest of his life behind bars.

OK, that’s the essential summary. The film, directed by “A Wednesday”‘s Neeraj Pandey, and based upon true-life events, is a fairly straightforward story of the 4 conmen and the CBI officer out to get them. The film moves sequentially building up the suspense, with a nice little unpredictable twist at the end. The characters are nicely detailed.

Ajay, the mastermind, lives in a middle-class locality and is in love with Priya (Kajal Aggarwal) the girl next door. Akshay is swagger-filled and wily as Ajay, while Kajal’s role is inconsequential. She also seems to have gotten, as my mom would put it, “healthier” since her Singham days. Kher as Sharmaji is a much-married man with lots of kids and another on the way. Iqbal is a hen-pecked husband of a shrewish wife, and from what we see of Joginder he lives a very ordinary lifestyle among many, many members of a family (or was it a religious dharamshala?). A gaunt Manoj Bajpayee is magnificent as the no-nonsense Waseem Khan, attentive dad and patriarchal male, chiding his buxom wife over a forgotten dupatta.

The film moves fast; it’s one event after another, and it holds your interest right uphill the very end. The foursome dressed formally as officers of the government, stride confidently into large bungalows and big businesses. Indeed a lot of striding is done, a bit too much for my taste – we see the foursome walk here and there, there is even a slow-mo of them going up-the-stairs. Pandey directs well; with this film he proves that “A Wednesday” wasn’t just a flash in the pan. The film has some great music. Among the many melodious songs, Akshay Kumar has sung the lovely “Mujh Mein Tu”.

The film has been shot in and around Delhi. There are some very nice shots of Rajpath, the grand politician-occupied bungalows of Akbar Road, and Lutyen’s Connaught Place. Wasim Khan apparently lives in Asiad Village, so we get a few views of the modern apartments there. While Pandey chooses his locales well, I found it a little odd to see Wasim Khan and his officers huddling over a desk on the windy roof-top. Why are they up there when they have perfectly serviceable offices? I remember a character from “A Wednesday” running his covert operations from a rooftop which kinda made sense, but here it just looked weird. The other oddity was when Wasim Khan’s second-in-command delivers a dialogue with the word “schedule” in it, and his pronunciation of the word is decidedly American – he says “skedule” instead of the Indian “shedule”.

Overall a great film, fairly intense and dedicated to it’s story save for one light-hearted wedding dance number. I enjoyed it very much. Do go see it!

Kidwise : This film was pretty clean, no vulgarity or sly innuendo. No semi-dressed females – the closest we come to that is buxom Mrs. Khan minus her dupatta. Special 26 deserves it’s PG rating.

Posted in 2013, bollywood, crime, drama, family-friendly, rating-PG, recommended | 2 Comments

Movie Preview : Kai Po Che

This one I’m really looking forward to. Via the director of “Rock On” – Abhishek Kapoor – comes this book-to-film adaptation based on Chetan Bhagat’s “The 3 Mistakes of My Life”. This is a story of three friends Ishaan, Omi and Govind, the three being portrayed by TV stars Sushant Singh Rajput, Amit Sadh and film actor Raj Kumar Yadav (of Ragini MMS fame). There is also the lovely Amrita Puri (remember her in Aisha?). The music is by Amit Trivedi and lyrics by the fantastic Swanand Kirkire (he also did the lyrics for Barfi) – so it does sound heavenly 🙂 .

Kai Po Che – which is a Gujrati expression to signify the “cutting of a kite” in patang-baazi – releases on February 22nd 2013.

Posted in 2013, bollywood, book to film, drama, Previews | Comments Off on Movie Preview : Kai Po Che

Movie Review : Life of Pi

[amazon_link id=”0547848412″ target=”_blank” container=”” container_class=”” ]Life of Pi[/amazon_link]Rating : 3.5/5
Genre : Drama
Year : 2013
Running time : 2 hours 3 minutes
Director : Ang Lee
Cast : Irrfan Khan, Tabu, Adil Hussain, Suraj Sharma, Rafe Spall
Kid rating : PG

Life of Pi is based on the book by Yann Martel. Pi is Piscine Molitor Patel, oddly named because of his uncle’s love of the great French swimming pool of the same name. Pi, in an effort to disassociate himself from Piscine – which has been shortened to Pee by troublesome classmates and unwittingly cruel teachers, reintroduces himself as Pi, the boy with the amazing ability to remember the mathematical number Pi (Π), and write the infinitely long string of numbers that make Pi, down on many blackboards at school.

Pi’s father, a man with a head for business runs a small zoo in Pondicherry. When the zoo goes broke, and the family decides to move to Canada, they along with their animals travel by ship to their new home country. A storm sinks the ship, leaving Pi, an orangutan, a zebra, a hyena, and a tiger named Richard Parker on a lifeboat – the only survivors. After a few weeks only Pi and Richard Parker remain, and Pi must use his wits to ensure that he doesn’t become Richard Parker’s next meal.

The film is told flashback fashion by Pi, now a grown man (Irfan Khan) to a visitor who has been sent to him, because Pi apparently has a remarkable story to tell. Pi, over a leisurely lunch of home-cooked food, narrates the tale of his floating for 273 days on a lifeboat with only a very hungry Bengal tiger for company. And that’s the nuts and bolts of the story. Now, because the film is directed by Ang Lee, we expect much more than the basics, and Ang Lee delivers them to us, in great big philosophical flourishes.

Much of the film’s time is spent telling us of the time Pi and Richard Parker spend together on the boat, one trying to eat and the other trying to avoid being eaten. Earlier in the film, we have been shown that Richard Parker is not some tame tiger, but a wild creature who will eat Pi at the earliest opportunity, if Pi lets his guard down even for an instant. Ah, but Pi is alone, but a boy, bemoaning the loss of his parents and his brother and plaintively weeping that he misses them.

The journey is thus fraught with danger for Pi. But it is also imbued with a delicate solitary beauty. Some stunning cinematography combined with Ang Lee’s poetic vision turn the boat into a serene vessel floating on calm, beautiful seas. Richard Parker is mostly CGI although shots of a real tiger were used in some places, and Ang Lee manages to convey to us the pitiable state of the tiger – a carnivore who can rend Pi from end to end.

Suraj Sharma is very good as the young Pi, afraid yet intent on keeping himself alive. I realize that And Lee frames the story almost as a philosophical allegory, and maybe that is why, but Pi’s predicament didn’t quite touch me. Sharma is at times angry, lonely, desperate and wily, but his emotion didn’t quite get through. Tabu as his mother Geeta Patel, and Adil Khan as his father are able actors and do justice do their roles, but like Sharma’s portrayal I found theirs tamped down as though conscious of being a part of an allegory where distant emotion was called for.

Irfan Khan as the adult Pi, and narrator, appears to be a man changed by his sojourn with Richard Parker. He appears learned and calm as though holding a greater knowledge within him. His visitor is filled with wonder hearing the story and muses whether it is indeed true; Pi cannot tell him for sure. Indeed I take the film entirely as an allegory, a metaphor for life itself, but can’t quite countenance the mumbo-jumbo which goes with making Easter philosophy and Eastern people so imbued with it. It reminds me of this American teacher I met who told me that he and his friends went to India, to Varanasi in particular, in search of what I believe they call salvation – a path to happiness. He talked of the holy men they encountered and the ghats, and the poverty they saw – I don’t believe he was any wiser because of it – more resigned and cynical maybe. Apparently the reservoir for true knowledge is somewhere in impoverished India, if only we could weave into a pretty enough story with great effects.

So I remain unimpressed with the film; if you must, read the book instead.

Posted in 2013, book to film, drama, hinglish, rating-PG | 1 Comment

Movie Preview : Midnight’s Children

This Deepa Mehta directed film, based on Salman Rushdie’s book of the same name, hits theatres in India Feb 1 – hopefully it comes to the US soon also. It features an impressive star cast – there’s Seema Biswas, Shahana Goswami, Shabana Azmi, Ronit Roy, Shriya Saran, Kulbhushan Kharbanda – just to name a few of the many.

Posted in 2013, book to film, drama, hinglish, historical, Previews | 1 Comment

What to watch on Netflix Instant : Edition #6

[amazon_link id=”B0064NLRG8″ target=”_blank” container=”” container_class=”” ]The Double Hour[/amazon_link]- The Double Hour (“La Doppia Ora” – Italian with subtitles) – Hotel maid Sonia encounters one tragedy after another, and she cannot find peace and love in any relationship she’s been in. And lately she’s begun to imagine things . . . This is a superb thriller spun so expertly that each twist comes as fresh surprise. I cannot recommend this enough.

Reindeer Games : A rather good, if old thriller starring Ben Afleck as Rudy, a man newly out of prison, hooking up with beautiful Ashley (Charlize Theron), and unwittingly getting pulled into more trouble than he would have bargained for. If you didn’t see it in 2000 when it released, now would be a good time.

Monsieur Lazhar (French with subtitles) : This Canadian film is of a Montreal public school, in which a teacher commits suicide while at work in the classroom. An Algerian immigrant is hired as a replacement, and as he helps his traumatized students, we get to know a little more about this reticent, quiet man. A sombre, moving film.

Arjun The Warrior Prince (Hindi, animated) : This is a well-made UTV/Disney production, and a surprisingly good animated film, considering that there are few quality animated films (for kids) coming out of India. It tells the story of Arjuna, so it’s part of the Mahabharata, but not quite. The only drawback with this one is that it is not subtitled, so if your kids have sketchy Hindi, like mine do, be prepared to chip in with translations and a little primer on Indian mythology.

[amazon_link id=”B001XGM0KI” target=”_blank” container=”” container_class=”” ]Shades of Ray[/amazon_link]-  Shades of Ray : This turned out to be a surprisingly good film, considering that I had low expectations of it. I started it thinking that I would shut it off (Ah! the beauty of Netflix!) if it descended into the emotional, desi drama genre, but it never came to that.

Rehman has a Pakistani father and a Caucasian American mother. Growing up in America, he has always had cultural duality thrust upon him, although he has soundly rejected his non-American roots. He’s now found the girl of his dreams – Nicole, but his overbearing father insists that Ray can find happiness only with a “nice, Pakistani girl”.

A smart humorous film, this.

Posted in 2013, All Netflix, foreign, lists, mini-reviews, movies online, Netflix Recommendations, ratings, recommended, romance, thriller, WhaTWON | Comments Off on What to watch on Netflix Instant : Edition #6

Movie Review : Aiyyaa

Rating : 3/5
Genre : Drama
Year : 2012
Running time : 2 hours 15 minutes
Director : Sachin Kundalkar
Cast : Rani Mukherjee, Prithviraj Sukumaran, Satish Alekar, Anita Date, Amey Wagh, Nirmiti Sawant, Subodh Bhave, Jyoti Subhash
Kid rating : PG-15

Meenakshi Deshpande is a middle-class girl living in a middle-class neighborhood with her parents, wheelchair bound grandmother (Jyoti Subhash) and brother. She is no ordinary girl though, but one with a penchant for fantasy, high aspirations and a finely honed sense of smell. As her perpetually hyper mother and cigarette smoking father try their level best to “settle” their daughter with a nice groom, she herself has other ideas.

Meenakshi gets a job at a college library where she is entranced with a wonderful smell – that belonging to taciturn Tamilian art student Surya Iyer (Prithvi). Even as she follows him everywhere besotted, Surya has no idea she exists. Push comes to shove when Meenakshi is engaged to Madhav Rajadhyaksha (Subodh Bhave), and the wedding day dawns, but Meenakshi is nowhere to be found.

The olfactory senses play a big part in the movie, because Meenakshi can smell everything – from the stench of the municipality trash bin right outside their house to the smell of an alluring male. Stylistically Aiyya is over-the-top and goofy, primarily because of it’s quirky heroine, played marvelously by Rani Mukherji. Rani immerses herself in Meenakshi’s filmi fantasies – one moment she is Sridevi from Chandni, the next she is Madhuri from Meenaxi (here’s the song). Each of her fantasy songs is enjoyable and performed with much gusto, and Rani brings verve and charm to Meenakshi’s character.

Meenakshi’s family members seem a little crazy – her grandmother careens around wildly in her wheelchair, with shrill shrieks to match, her father (Satish Alekar) is fixated on odd jobs and her mother(Nirmiti Sawant) can barely contain her hyper energy. There is Meenakshi’s dog-loving brother Nana(Ameya Wagh) who hooks up with Meenakshi’s John Abrham-obsessed co-worker Maina (Anita Date). Surya, the eccentric art student keeps odd hours and is seen in the film through Meenakshi’s perspective. So in all honesty there is only one person in the entire film who seems “normal” – Madhav Meenakshi’s fiancé.

This film is a little different that other Hindi films, because it is really heroine-centric – really. It is based on the perception of one, slightly off-kilter girl. The film is focused on Meenakshi – her wants, her desires, her aspirations, her fantasies and her sexuality. She isn’t an abla nari, or a traditional bhartiya nari. She doesn’t fit the mold, nor does she want to. She wants to be fancy-free and footloose, but oh, this middle-class world won’t let her be! Her marriage to staid Madhav looms, while all she wants is to be left alone to bask in Surya’s scent. And he, Surya, is served up as so much eye-candy – a niche generally reserved for women in Bollywood.

While this is a lot of fun, because it is such fun to watch a woman who knows her mind and acts upon it :-), and it is SO rare in Bollywood, even Rani’s skill can’t save this film from it’s slow pace and rough-shod screenplay. While I’m totally with it during the telling of Meenakshi’s story, the “crazy” touches like the banshee-like grandma, or the incongruous hook-up between Nana and Maina leave me flummoxed and a little short on patience. The end feels patchy and badly wrought, and although Meenakshi is happy with how it all ends (coz love must triumph and blah-blah-blah), I couldn’t say the same for myself.

The film is notable for it’s songs. Each one is a lavish (and lascivious and fun) spoof, some of well-known Hindi films and some of South-Indian films, with lyrics to match. In the beginning the songs feature just Meenakshi indulging in her fantasies of being a Bollywood star. In the later part of the film, when Meenakshi desires/stalks/lusts after Surya, the songs also feature him – bare-chested and well-toned. The songs then also start to sound Southie, with cheekily “derived lyrics” (Dreamum Wakepum, Sizem matterum), presumably because Surya speaks Tamil and Meenakshi is learning Tamil to communicate with him.

The film is out-of-the-box and inventive for Hindi cinema. It is a pity then that watching it isn’t smooth sailing, although Aiyyaa is interesting and hilarious in parts. I’d say this was a worth-it watch for Rani herself – her fun and impish portrayal of Meenakshi is a rare one and must be seen.

Kidwise : The steamy songs aren’t exactly kid-friendly, but the film would be passable for older kids. Hence the PG-15 rating.

Posted in 2012, bollywood, fantasy, goofy, quirky, rating-PG15, women | 2 Comments